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Musical signification : essays in the semiotic theory and analysis of music

Author: Eero Tarasti
Publisher: Berlin ; New York : Mouton de Gruyter, 1995.
Series: Approaches to semiotics, 121.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Musical signification.
Berlin ; New York : Mouton de Gruyter, 1995
(DLC) 95009941
(OCoLC)32201005
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Eero Tarasti
ISBN: 9783110885187 3110885182
OCLC Number: 624390499
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (xiv, 598 pages) : music.
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: ""Preface""; ""Theoretical approaches""; ""Method and system""; ""Toward a reinterpretation of compositional theory""; ""Music and antimetaphor""; ""The sign and music: A reflection on the theoretical bases of musical semiotics""; ""How philosophical characterizations of a musical work lose sight of the “musicâ€? and how it might be put back""; ""Interpretation and meaning in music""; ""Music and semantics""; ""The application of Hjelmslevâ€?s glossematics to music""; ""The musical work as sign: Significative constituents, layers, structure"" ""Asafâ€?ev and Tynianov: On some analogies between musicology and the study of literature""""Intonation as a specific form of musical semiosis""; ""Musical intonation â€? language of intuition and logic: A contribution to the system of the semiotics of intonation in music""; ""Empirical studies""; ""“The voice of the heartâ€?: A progressive semiosis on the interval of the sixth""; ""Pertinence in music""; ""Meaning and behavior patterns: The creation of meaning in interpreting and listening to music""; ""On the genesis of the musical sign"" ""Art evolution in the light of brain asymmetry: A trial of empirical investigation""""A semio-psychological theory of communication in music""; ""Character and characterization in musical performance: Effects of sensory experience upon meaning""; ""Tempo deviations and musical signification: A case study""; ""The pitch of glide-like F0 curves in Votic folksongs""; ""The concept of hierarchy: A theoretical approach""; ""Musical pragmatics and computer modelling""; ""Some relationships between terminology, analytic strategies, and computational methodologies"" ""Semiotic bases and computer assisted composition: Towards a cognitive model""""Experiments on grammar-based analysis of music""; ""Analyses of musical styles and texts""; ""Metaphor in music""; ""Performative musical acts: The Verdian achievement""; ""Peirceâ€?s “groundâ€? and 19th-century Lieder""; ""The couples who remain: With reference to “Ici-basâ€? by Sully Prudhomme and Fauré""; ""“Apres un rêveâ€?: A semiotic analysis of the song by Gabriel Fauré""; ""The problem of narrativity in the symphonic poem En saga by Jean Sibelius"" ""Orchestration and form in Leos JanáÄ?ekâ€?s Concertino: An analysis of intratextural interaction""""“Music becomes languageâ€?: Narrative strategies in El cimarrón by Hans-Werner Henze""; ""Narrativity and electroacoustic music""; ""On the sound dimension of prehistoric painted caves and rocks""; ""The mythical in non-programmatic music""; ""The symbol of the tree in musical Jugendstil""; ""Aspects of the “Dance of Deathâ€? as a semiotic system""; ""Authors""; ""Index""
Series Title: Approaches to semiotics, 121.
Responsibility: edited by Eero Tarasti.

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