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Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious

Author: Elliott Antokoletz; Juana Canabal Antokoletz
Publisher: Oxford ; New York : Oxford University Press, 2004.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language.
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Antokoletz, Elliott.
Musical symbolism in the operas of Debussy and Bartók.
Oxford ; New York : Oxford University Press, 2004
(DLC) 2003006592
(OCoLC)51900211
Named Person: Claude Debussy; Béla Bartók; Claude Debussy; Béla Bartók
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Elliott Antokoletz; Juana Canabal Antokoletz
ISBN: 1423726316 9781423726319
OCLC Number: 61731127
Description: 1 online resource (xiv, 346 pages) : illustrations
Responsibility: Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz.

Abstract:

The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language.

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