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The musician's guide to Pro Tools

Author: John Keane
Publisher: New York : McGraw-Hil, ©2008.
Series: McGraw Hill professional.
Edition/Format:   eBook : Document : English : 2nd edView all editions and formats
Summary:

A guide to getting the most out of Pro Tools. It explains how to use the premier digital audio software to create professional-quality recordings. It covers various versions of Pro Tools, and  Read more...

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Genre/Form: Electronic books
Additional Physical Format: Print version:
Keane, John, 1959-
Musician's guide to Pro Tools.
New York : McGraw-Hil, ©2008
(DLC) 2007039596
Online version:
Keane, John, 1959-
Musician's guide to Pro Tools.
New York : McGraw-Hil, ©2008
(OCoLC)755235158
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: John Keane
ISBN: 9780071497428 0071497420 9780071595902 0071595902 9780071544733 0071544739
OCLC Number: 605538808
Description: 1 online resource (xx, 363 pages) : illustrations.
Contents: Cover --
Contents --
Foreword --
Acknowledgments --
Introduction --
Part I: Making a Home Demo --
Chapter 1 Getting Comfortable with Your Pro Tools System --
Display (Monitor) Resolution --
Get a Trackball --
Keyboard Shortcuts --
Cheat Sheets --
Function Key Labels --
Dealing with the Dock (Mac OS X Only) --
A Word about Audio Drives --
Formatting Your Hard Drives for Pro Tools --
Chapter 2 Starting a New Session from Scratch --
Trashing the Preferences --
Start Your Engines --
The New Session Dialog --
The Edit Window --
The Transport Window --
Creating New Tracks --
Relabeling the Inputs and Outputs --
Labeling the Function Keys --
Saving Your Sessions --
Chapter 3 Tracking and Overdubbing --
Laying Down the Drum Track --
Basic Zooming with the Commands Focus Feature --
Setting the Zoom Presets --
Using Monitor Modes During Overdubbing --
Pre-roll and Post-roll --
Latency Issues --
Overdubbing on the Rhythm Track --
Destructive and Nondestructive Recording --
The Selector, the Grabber, and the Trimmer --
Chapter 4 Basic Editing Techniques --
Auto-Punching on the Rhythm Track --
Mangling the Session --
Crossfading Basics --
Recording the Lead Track --
Comping the LEAD Tracks --
Consolidating Your Regions --
Cleaning Up the Session --
Chapter 5 The Pro Tools Virtual Mixer --
Having Fun with Plug-ins and Aux Sends --
Setting Up Aux Returns with D-Verb --
Creating Effects with Automation --
Finishing Your Mix --
Good Work ... Now Do It Again! --
Part II: The Doormats Session --
Chapter 6 Fixing the Drums --
Copy the Session Disc to Your Hard Drive --
Open the Love Bites Session --
Setting Preferences --
Preparing the Basic Tracks --
Setting Up for Drum Editing --
Trimming the Drum Entrance --
Introducing the Smart Tool --
Aligning the Drums to the Click --
Fixing a Rushed Fill --
Introducing Batch Crossfades --
Fixing the Tom Track --
Consolidating the Drum Tracks --
Cleaning Up Auto-Created Regions --
Riding the Tom Track --
Using the Trim Plug-in --
Chapter 7 Bass and Guitar Fixes --
Fixing the Bass Track --
Guitar Fixes --
Finishing Touches --
Great Job ... Now Do It Again! --
Chapter 8 Audio Quality Issues --
A/D Conversion --
Jitter --
Clocking: LE vs. HD --
Using a Master Clock --
Chapter 9 Using a Click in Pro Tools --
Using the Click Plug-in --
What Is Grid Mode? --
Generating a Click Using Reason Adapted --
Using Pro Tools with a Drum Machine --
Conclusion --
Part III: The Honeywagon Session --
Chapter 10 Working with Loops --
Using Time Compression/Expansion --
Fine-Tuning Your Loops --
Setting Up the Song Structure --
Beefing Up the Drums --
Chapter 11 Bring on the Band --
Setting Up a Cue Mix --
Doubling the Acoustic Guitar --
Editing the Shaker Track --
Adding a D-Verb Channel --
Using the Xpand! Plug-In --
Chapter 12 Working with Vocals --
Setting Up for Vocal Comping --
Comping with the One-Click Method --
Tweaking Vocal Tracks in Pro Tools --
Chapter 13 Advanced Mixing Techniques --
Listening for Phase Problems --
Compressing Time Manually --
Creating a Stereo Ping-Pong.
Series Title: McGraw Hill professional.
Responsibility: John Keane.

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