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Napoleon and history painting : Antoine-Jean Gros's La Bataille d'Eylau

Author: Christopher Prendergast
Publisher: Oxford : Clarendon Press ; New York : Oxford University Press, 1997.
Edition/Format:   Book : EnglishView all editions and formats
Summary:
Christopher Prendergast's study is an inquiry into the fortunes, in both theory and practice, of the idea of history painting during the Napoleonic period. His main argument is that under Napoleon, French history painting, especially battle painting, encountered a series of questions as to its nature and function. These questions arose in part from the (often contradictory) demands of a propaanda - machine operating
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Named Person: Antoine-Jean Gros, baron; Napoleon, Emperor of the French; Antoine-Jean Gros, baron; Napoléon, (empereur des Français ;; Antoine-Jean Gros; Antoine-Jean Gros; Antoine-Jean Gros
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Christopher Prendergast
ISBN: 0198174020 9780198174028 0198174225 9780198174226
OCLC Number: 35777393
Description: xiii, 223 p., [4] p. of plates : ill. (some col.) ; 25 cm.
Contents: 1. Questions of Detail --
2. Legitimation Crisis --
3. The Moment of History Painting --
4. Painting War (I) --
5. Art and the State --
6. Painting War (II): La Bataille d'Eylau --
7. World History on Horseback.
Responsibility: Christopher Prendergast.
More information:

Abstract:

Christopher Prendergast's study is an inquiry into the fortunes, in both theory and practice, of the idea of history painting during the Napoleonic period. His main argument is that under Napoleon, French history painting, especially battle painting, encountered a series of questions as to its nature and function. These questions arose in part from the (often contradictory) demands of a propaanda - machine operating within a post-revolutionary crisis of political legitimation, but also from changes in artistic taste which both retained and re-directed an earlier notion of the civic responsibilities of the history painter.

This is a resolutely interdisciplinary book: drawing on perspectives from political thought and history, military theory and practice, and art history, it centres on the work of the painter, Antoine-Jean Gros, and his controversial painting, La Bataille d'Eylau.

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