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Narrative and fantasy in the post-war German novel : a study of novels by Johnson, Frisch, Wolf, Becker, and Grass

著者: Chloe E M Paver
出版商: Oxford : Clarendon Press ; New York : Oxford University Press, 1999.
丛书: Oxford modern languages and literature monographs.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
Narrative and Fantasy in the Post-War German Novel, a study of novels by Uwe Johnson, Max Frisch, Christa Wolf, Jurek Becker, and Gunter Grass, investigates the fictions and fantasies invented by five narrators, examining the purpose which the fictions serve within each text and the means by which each author deliberately draws attention to them. All five authors are shown to be concerned with the kinds of stories  再读一些...
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附加的形体格式: Online version:
Paver, Chloe E. M.
Narrative and fantasy in the post-war German novel.
Oxford : Clarendon Press ; New York : Oxford University Press, 1999
(OCoLC)607121155
提及的人: Uwe Johnson; Max Frisch; Christa Wolf; Jurek Becker; Günter Grass
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Chloe E M Paver
ISBN: 019815965X 9780198159650
OCLC号码: 39914374
描述: xii, 227 p. ; 23 cm.
内容: 1. Overt Fictionalization and Some Theories of Narrative. 1. Eberhard Lammert: The Realist Approach. 2. Kate Hamburger: Logical and Illogical Literature. 3. Franz K. Stanzel: The 'Circular' Argument. 4. Brian McHale: Textual Worlds --
2. Uwe Johnson: Das Dritte Buch Uber Achim. 1. Introduction. 2. 'Denken liesse sich das': Karsch's Fictions. 3. Karsch's Fictions and the Historical Process. 4. 'Das streichen Sie mal': Erasing the Past --
3. Max Frisch: Mein Name Sei Gantenbein. 1. The Buch-Ich and his Roles. 2. 'Ich stelle mir vor': The Projection and Cancellation of Fictions in the Text. 3. Narrative Control and Uncontrollable Emotions in the Gantenbein Story. 4. Jealousy, Infidelity, and Fiction
丛书名: Oxford modern languages and literature monographs.
责任: Chloe E.M. Paver.
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摘要:

Narrative and Fantasy in the Post-War German Novel, a study of novels by Uwe Johnson, Max Frisch, Christa Wolf, Jurek Becker, and Gunter Grass, investigates the fictions and fantasies invented by five narrators, examining the purpose which the fictions serve within each text and the means by which each author deliberately draws attention to them. All five authors are shown to be concerned with the kinds of stories which ordinary people tell about themselves and their past lives. While some of the texts demonstrate the positive power of imagination, others point to the dangers of fiction: its tendency to falsify reality and to encourage escapist and violent fantasies. This is the first major study of this distinctive trend in post-war German fiction.

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