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The national and beyond : the globalisation of Finnish cinema in the films of Aki and Mika Kaurismäki

Author: Pietari Kääpä
Publisher: Oxford ; New York : Peter Lang, ©2010.
Series: New studies in European cinema, v. 12
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Examines the films that the Kaurismaekis produced, individually and in collaboration, between 1981 and 1995 - films which mobilise various methods to reflect, criticise, counteract and contribute to  Read more...

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Genre/Form: Criticism, interpretation, etc
Named Person: Aki Kaurismäki; Mika Kaurismäki; Aki Kaurismäki; Mika Kaurismäki
Document Type: Book
All Authors / Contributors: Pietari Kääpä
ISBN: 9783039119660 3039119664
OCLC Number: 470359948
Description: viii, 289 pages ; 23 cm.
Details: The cultural context of the Kaurismäkis: Finnish films for Finnish people? -- Developing post-national forms of cinema, 1981-1985. Displaced souls lost in Finland: the Kaurismäki's films as the cinema of the marginalised -- Between convergence and divergence: the transvergent cinemas of Aki and Mika Kaurismäki -- Life in a capitalist welfare state: marginal hope and dystopian prophecies -- Socio-economic exclusion and the fragmented individual. Aki Kaurismäki's proletarian trilogy and Hamlet Liikemaailmassa -- Mika Kaurismäki's "life-politics trilogy" post-nationalism between the welfare state and global capitalism -- The international adventures of the kaurismakis. the search for post-national stability: Mika Kaurismäki's international films, 1987-1990 -- The problems of post-national integration: Aki Kaurismäki's international films, 1989-1992 -- Transnational travel and the difficulty of "home": projecting the post-national condition for an EU-integrated finland -- A return to home?: Aki Kaurismäki's Leningrad cowboys meet Moses, Total balalaika show and Pida Huivistasi Kiinni Tatjana -- A farewell to finland: Mika Kaurismäki's The last border and Tigrero, the film that was never made -- Conclusion.
Contents: The cultural context of the Kaurismäkis: Finnish films for Finnish people? --
Developing post-national forms of cinema, 1981-1985. Displaced souls lost in Finland: the Kaurismäki's films as the cinema of the marginalised --
Between convergence and divergence: the transvergent cinemas of Aki and Mika Kaurismäki --
life in a capitalist welfare state: marginal hope and dystopian prophecies --
Socio-economic exclusion and the fragmented individual. Aki Kaurismäki's proletarian trilogy and Hamlet Liikemaailmassa --
Mika Kaurismäki's "life-politics trilogy" post-nationalism between the welfare state and global capitalism --
The international adventures of the Kaurismäkis. The search for post-national stability: Mika Kaurismäki's international films, 1987-1990 --
The problems of post-national integration: Aki Kaurismäki's international films, 1989-1992 --
Transnational travel and the difficulty of "home": projecting the post-national condition for an EU-integrated Finland --
A return to home: Aki Kaurismäki's Leningrad cowboys meet Moses, Total balalaika show and Pida Huivistasi Kiinni Tatjana --
A farewell to Finland: Mika Kaurismäki's The last border and Tigrero, the film that was never made --
Conclusion.
Series Title: New studies in European cinema, v. 12
Responsibility: Pietari Kääpä.

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