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Nationalism and irony : Burke, Scott, Carlyle
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Nationalism and irony : Burke, Scott, Carlyle

저자: Yoon Sun Lee
출판사: New York : Oxford University Press, 2004.
판/형식:  도서 : 영어모든 판과 형식 보기
요약:
"Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather  더 읽기…
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추가적인 물리적 형식: Online version:
Lee, Yoon Sun.
Nationalism and irony.
New York : Oxford University Press, 2004
(OCoLC)645916617
명시된 사람: Edmund Burke; Walter Scott; Thomas Carlyle; Walter Scott; Thomas Carlyle; Edmund Burke; Walter Scott, Sir; Thomas Carlyle; Edmund Burke; Walter Scott, Sir; Thomas Carlyle; Edmund (Politiker) Burke; Walter Scott; Thomas Carlyle
자료 유형: 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Yoon Sun Lee
ISBN: 0195162358 9780195162356
OCLC 번호: 52594393
설명: viii, 222 p. ; 25 cm.
내용: Public irony, conservatism, and the British nation --
Edmund Burke's pretexts for politic bodies --
Sir Walter Scott on the field of Waterloo --
A nation's fetish: Carlyle and the work of literature.
책임: Yoon Sun Lee.
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초록:

Linking together two of the most significant developments of the Romantic period, this study shows how Romantic nationalism in Britain developed irony's potential as a powerful source of civic  더 읽기…

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...interesting new study...a lucid and compelling account...Lee's argument is drawn tight. There is little digression from its tenets and no waste in a book which offers subtle and persuasive 더 읽기…

 
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schema:reviewBody""Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather than disguised the anomalous character of Britain's identity, structure, and history. Their irony publicly fractured while upholding sentimental fictions of national wholeness. Britain's politics of deference, its reverence for tradition, and its celebration of productivity all became not only targets of irony but occasions for its development as a patriotic institution. This study offers a different view of both Romantic irony and Romantic nationalism: irony is examined as an outgrowth of commercial society and as a force that holds together center and periphery, superiors and subordinates, in the culture of nationalism."--Jacket."
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