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Nationalism and irony : Burke, Scott, Carlyle

著者: Yoon Sun Lee
出版商: New York : Oxford University Press, 2004.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather  再读一些...
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附加的形体格式: Online version:
Lee, Yoon Sun.
Nationalism and irony.
New York : Oxford University Press, 2004
(OCoLC)645916617
提及的人: Edmund Burke; Walter Scott; Thomas Carlyle; Walter Scott; Thomas Carlyle; Edmund Burke; Walter Scott, Sir; Thomas Carlyle; Edmund Burke; Walter Scott, Sir; Thomas Carlyle; Edmund (Politiker) Burke; Walter Scott; Thomas Carlyle
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Yoon Sun Lee
ISBN: 0195162358 9780195162356
OCLC号码: 52594393
描述: viii, 222 p. ; 25 cm.
内容: Public irony, conservatism, and the British nation --
Edmund Burke's pretexts for politic bodies --
Sir Walter Scott on the field of Waterloo --
A nation's fetish: Carlyle and the work of literature.
责任: Yoon Sun Lee.
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摘要:

Linking together two of the most significant developments of the Romantic period, this study shows how Romantic nationalism in Britain developed irony's potential as a powerful source of civic  再读一些...

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...interesting new study...a lucid and compelling account...Lee's argument is drawn tight. There is little digression from its tenets and no waste in a book which offers subtle and persuasive 再读一些...

 
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schema:reviewBody""Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather than disguised the anomalous character of Britain's identity, structure, and history. Their irony publicly fractured while upholding sentimental fictions of national wholeness. Britain's politics of deference, its reverence for tradition, and its celebration of productivity all became not only targets of irony but occasions for its development as a patriotic institution. This study offers a different view of both Romantic irony and Romantic nationalism: irony is examined as an outgrowth of commercial society and as a force that holds together center and periphery, superiors and subordinates, in the culture of nationalism."--Jacket."
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