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Nationalism and irony : Burke, Scott, Carlyle

著者: Yoon Sun Lee
出版: New York : Oxford University Press, 2004.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
History
その他のフォーマット: Online version:
Lee, Yoon Sun.
Nationalism and irony.
New York : Oxford University Press, 2004
(OCoLC)645916617
関連の人物: Edmund Burke; Walter Scott; Thomas Carlyle; Walter Scott; Thomas Carlyle; Edmund Burke; Walter Scott, Sir; Thomas Carlyle; Edmund Burke; Walter Scott, Sir; Thomas Carlyle; Edmund (Politiker) Burke; Walter Scott; Thomas Carlyle; Edmund Burke; Thomas Carlyle; Walter Scott
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Yoon Sun Lee
ISBN: 0195162358 9780195162356
OCLC No.: 52594393
物理形態: viii, 222 p. ; 25 cm.
コンテンツ: Public irony, conservatism, and the British nation --
Edmund Burke's pretexts for politic bodies --
Sir Walter Scott on the field of Waterloo --
A nation's fetish: Carlyle and the work of literature.
責任者: Yoon Sun Lee.
その他の情報:

概要:

Linking together two of the most significant developments of the Romantic period, this study shows how Romantic nationalism in Britain developed irony's potential as a powerful source of civic  続きを読む

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...interesting new study...a lucid and compelling account...Lee's argument is drawn tight. There is little digression from its tenets and no waste in a book which offers subtle and persuasive 続きを読む

 
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schema:reviewBody""Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather than disguised the anomalous character of Britain's identity, structure, and history. Their irony publicly fractured while upholding sentimental fictions of national wholeness. Britain's politics of deference, its reverence for tradition, and its celebration of productivity all became not only targets of irony but occasions for its development as a patriotic institution. This study offers a different view of both Romantic irony and Romantic nationalism: irony is examined as an outgrowth of commercial society and as a force that holds together center and periphery, superiors and subordinates, in the culture of nationalism."--Jacket."
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