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Nationes, Gentes und die Musik im Mittelalter

Author: Frank Hentschel; Marie Winkelmüller
Publisher: Berlin : De Gruyter, [2014]
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
The notion that ideas and judgments about music are based on cultural-specific and national frames of reference and ideologies was not invented in the modern era. Taking an interdisciplinary perspective, this volume examines the role played by notions of communities such as Germani, Itali, and Franci (Germanic, Italian, and French) in medieval writings about music during the period between about 900 and 1500.
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Hentschel, Frank.
'Nationes', 'Gentes' und die Musik im Mittelalter.
Berlin : De Gruyter, ©2014
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Frank Hentschel; Marie Winkelmüller
ISBN: 9783110336900 3110336901
OCLC Number: 883187430
Description: 1 online resource
Contents: "Inter Italicos et Gallicos est magna differentia in modo proportionandi notas semibreves". Der modus cantandi im Musikschrifttum und in der musikalischen PraxisJacobus de Ispania? --
Ein Zwischenbericht; Hieronymus de Moravia: " frère morave " ou " Scottish Blackfriar "?; Musikalische Klimazonen. Über ein Gentes-Theorem im Liber artis musice (Florenz, Biblioteca Medicea Laurenziana, Ms. Ashburnham 1051, fol. 89-95v); Register. Zur Funktion und Anwendung von Volks-, Reichs- und Nationsbegriffen in der nordalpinen Geschichtsschreibung des 9. bis 11. Jahrhunderts; Music, identity and community in the Frankish realms in the eighth and ninth centuries: the Musica enchiriadis and its implications; Intentionale Deutungen von Gentes-Namen; Wer ist das Reich? Überlegungen zur Funktionsweise des karolingischen Ordnungsgefüges; Die "mos ... veteranorum cantorum" des Aurelianus Reomensis und die Stellung der gallikanischen Liturgie im Westfrankenreich des späten 9. Jahrhunderts. Noch einmal: Roms Gesang und die Gemeinschaften im NordenPerspektivierung --
Differenzierung. Voraussetzungen und Spezifika der frühen Verwendung von diut(i)sch in der deutschen Literatur des Mittelalters: Forschungsimpulse der Germanistischen Mediävistik; Johannes Boen und die zweifelhaften Gesangskünste der Alemanni; Il concetto di Longobardo e di Lombardo in Italia meridionale tra IX e XII secolo. La complessità di una situazione territoriale; Zwischen Gentes und musiktheoretischen Lehren. Zur Stellung des Anonymus codicis Pragensis. Itali und Longobardi in den musiktheoretischen Schriften Theogers von Metz und AribosWir und die Anderen. Lonbardi und Langobardi bei lombardischen Geschichtsschreibern des 11. bis 13. Jahrhunderts; St. Peter and His Neighbors: Reflections on Roman and Italian Chant and Liturgy; Modes, Tenors, Scribes, and Stems: The Hispanic Features of Two Hispanic Manuscripts, Madrid, Biblioteca Nacional, Ms. 20486, and Las Huelgas, Santa María la Real, Ms. IX.; Identity and Diversity: The Idea of Regional Musical Notations.
Responsibility: herausgegeben von Frank Hentschel und Marie Winkelmüller.
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Abstract:

The notion that ideas and judgments about music are based on cultural-specific and national frames of reference and ideologies was not invented in the modern era. Taking an interdisciplinary perspective, this volume examines the role played by notions of communities such as Germani, Itali, and Franci (Germanic, Italian, and French) in medieval writings about music during the period between about 900 and 1500.

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