passa ai contenuti
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945

Autore: Carolyn Birdsall
Editore: Amsterdam : Amsterdam University Press, ©2012.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia online

Collegamenti a questo documento

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: History
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Carolyn Birdsall
ISBN: 9789089644268 9089644261
Numero OCLC: 798628945
Note: "This book is published in print and through the online OAPEN library, www.oapen.org"--Title page verso.
Descrizione: 272 pages : illustrations, maps ; 24 cm
Contenuti: Affirmative resonances in urban space --
The festivalisation of the everyday --
Mobilising sound for the nation at war --
Cinema as a Gesamtkunstwerk? --
Afterword: Echoes of the past.
Responsabilità: Carolyn Birdsall.
Maggiori informazioni:

Abstract:

Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were  Per saperne di più…

Commenti

Recensioni editoriali

Sinossi editore

Birdsall's study is an extremely successful example of how to productively connect research questions and methods from both history and media studies. By focusing on sound, not in isolation, but by Per saperne di più…

 
Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/798628945>
library:oclcnum"798628945"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/798628945>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/1011359>
rdf:typeschema:Intangible
schema:name"Mass media and propaganda"@en
schema:name"Mass media and propaganda."@en
schema:about
schema:about
<http://id.worldcat.org/fast/869986>
rdf:typeschema:Intangible
schema:name"Communication--Psychological aspects"@en
schema:name"Communication--Psychological aspects."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2012"
schema:creator
schema:datePublished"2012"
schema:description""Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s."--Publisher's website."@en
schema:description"Affirmative resonances in urban space -- The festivalisation of the everyday -- Mobilising sound for the nation at war -- Cinema as a Gesamtkunstwerk? -- Afterword: Echoes of the past."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1124070131>
schema:genre"History"@en
schema:genre"History."@en
schema:inLanguage"en"
schema:name"Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945"@en
schema:publisher
schema:url
schema:workExample
umbel:isLike<http://d-nb.info/1031500200>

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.