aller au contenu
Nazis and the cinema Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Nazis and the cinema

Auteur : Susan Tegel
Éditeur : London ; New York : Hambledon Continuum, 2007.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
"Before the rise of television, the cinema was a key medium of entertainment and information. The Nazi regime, who inherited the largest film industry outside Hollywood, realised this clearly, with some of the most memorable images of Hitler and his party coming from Leni Riefenstahl's film The Triumph of the Will. Susan Tegel has written a comprehensive account of the films made in Nazi Germany from 1933 to 1945,  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : History
Format – détails additionnels : Online version:
Tegel, Susan.
Nazis and the cinema.
London ; New York : Hambledon Continuum, 2007
(OCoLC)608082348
Format : Livre
Tous les auteurs / collaborateurs : Susan Tegel
ISBN : 9781847250001 1847250009 9781847252111 1847252117
Numéro OCLC : 85830156
Description : x, 324 p., [8] p. of plates : ill., ports. ; 25 cm.
Contenu : Hitler : image-building --
Nazi propaganda --
The German film industry to 1918 --
Weimar cinema --
The German film industry 1933-1945 --
The Kampfzeit films, 1933 --
Leni Riefenstahl's Triumph of the will --
A Judenfrei cinema : 1934-1938 --
Two German comedies (1939) --
The Rothschilds and Jud Süss --
Der ewige Jude (1940) --
The Second World War --
Film and the "Final Solution" --
Theresienstadt --
Liberation.
Responsabilité : Susan Tegel.

Résumé :

A comprehensive account of the films made in Nazi Germany from 1933 to 1945, including the notorious feature film, "Jud Suss", and the compilation documentary Der Ewige Jude. This book explores in  Lire la suite...

Critiques

Critiques éditoriales

Synopsis de l’éditeur

"Susan Tegel deserves applause for achieving exactly what she sets out to accomplish: exploring the intersection of art and politics as well as the efficacy of Joseph Goebbels' propaganda machine ... Lire la suite...

 
Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/85830156>
library:oclcnum"85830156"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/85830156>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/1033798>
rdf:typeschema:Intangible
schema:name"Motion pictures."@en
schema:name"National socialism and motion pictures"@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2007"
schema:description"Hitler : image-building -- Nazi propaganda -- The German film industry to 1918 -- Weimar cinema -- The German film industry 1933-1945 -- The Kampfzeit films, 1933 -- Leni Riefenstahl's Triumph of the will -- A Judenfrei cinema : 1934-1938 -- Two German comedies (1939) -- The Rothschilds and Jud Süss -- Der ewige Jude (1940) -- The Second World War -- Film and the "Final Solution" -- Theresienstadt -- Liberation."@en
schema:description""Before the rise of television, the cinema was a key medium of entertainment and information. The Nazi regime, who inherited the largest film industry outside Hollywood, realised this clearly, with some of the most memorable images of Hitler and his party coming from Leni Riefenstahl's film The Triumph of the Will. Susan Tegel has written a comprehensive account of the films made in Nazi Germany from 1933 to 1945, including the notorious feature film, J?d Suss, and the compilation documentary Der Ewige Jude. She explores in detail how the film makers were controlled and used by the regime. She also examines other less well- known films featuring Jewish characters, including how their image differs from film to film. In such films she relates to the historical context, and in particular to government policies concerning the Jews. Newsreels and documentaries and their place within a cinema programme are discussed as are the two documentaries made in Theresienstadt under the SS rather than the Propaganda Ministry. She also looks at the industry itself, its reorganization, funding, the interventions of the Propaganda Ministry headed by Goebbels, the compromises which people had to make, the careerism and the dangers which some faced either of unemployment or worse"--P. [4] of cover."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/69732881>
schema:genre"History."@en
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Nazis and the cinema"@en
schema:numberOfPages"324"
schema:publisher
schema:url
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA719271>

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.