pular para conteúdo
Negotiating with the dead : a writer on writing Ver prévia deste item
FecharVer prévia deste item
Checando...

Negotiating with the dead : a writer on writing

Autor: Margaret Atwood
Editora: Cambridge, U.K. ; New York : Cambridge University Press, 2002.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of  Ler mais...
Classificação:

baseado em 1 classificação(ões) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Pessoa Denominada: Margaret Atwood; Margaret Eleanor Atwood; Margaret Atwood
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Margaret Atwood
ISBN: 0521662605 9780521662604
Número OCLC: 45917223
Prêmios: Winner of Booker Prize for Fiction 2000.
Descrição: xxvii, 219 p. ; 21 cm.
Conteúdos: Introduction: Into the labyrinth --
Prologue --
Orientation: who do you think you are? (What is "a writer," and how did I become one?) --
Duplicity: the jekyll hand, the hyde hand, and the slippery double (Why there are always two) --
Dedication: The great god pen (Apollo vs. Mammon: at whose altar should the writer worship?) --
Temptation: Prospero, the Wizard of Oz, Mephisto & co. (Who waves the wand, pulls the strings, or signs the Devil's book?) --
Communion: nobody to nobody (the eternal triangle: the writer, the reader, and the book as go-between) --
Descent: Negotiating with the dead (Who makes the trip to the Underworld, and why?).
Responsabilidade: Margaret Atwood.
Mais informações:

Resumo:

Margaret Atwood examines the nature of writing and the role of writers.  Ler mais...

Críticas

Críticas editoriais

Nielsen BookData

'Consistently enlivening ... Margaret Atwood's excellent book performs [that] vital function ... Her audience ... would have had no hesitation in according her the distinguished status thus implied.' Ler mais...

 
Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.
Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/45917223>
library:oclcnum"45917223"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/45917223>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/109322990>
rdf:typeschema:Person
schema:birthDate"1939"
schema:familyName"Atwood"
schema:givenName"Margaret Eleanor"
schema:givenName"Margaret"
schema:name"Atwood, Margaret Eleanor, 1939-"
schema:name"Atwood, Margaret, 1939-"
schema:creator
<http://viaf.org/viaf/109322990>
rdf:typeschema:Person
schema:birthDate"1939"
schema:familyName"Atwood"
schema:givenName"Margaret Eleanor"
schema:givenName"Margaret"
schema:name"Atwood, Margaret Eleanor, 1939-"
schema:name"Atwood, Margaret, 1939-"
schema:datePublished"2002"
schema:description"What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift? Margaret Atwood's wide reference to other writers is balanced by anecdotes from her own experiences, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of Western literature."@en
schema:description"Introduction: Into the labyrinth -- Prologue -- Orientation: who do you think you are? (What is "a writer," and how did I become one?) -- Duplicity: the jekyll hand, the hyde hand, and the slippery double (Why there are always two) -- Dedication: The great god pen (Apollo vs. Mammon: at whose altar should the writer worship?) -- Temptation: Prospero, the Wizard of Oz, Mephisto & co. (Who waves the wand, pulls the strings, or signs the Devil's book?) -- Communion: nobody to nobody (the eternal triangle: the writer, the reader, and the book as go-between) -- Descent: Negotiating with the dead (Who makes the trip to the Underworld, and why?)."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/196728845>
schema:inLanguage"en"
schema:name"Negotiating with the dead : a writer on writing"@en
schema:numberOfPages"219"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.