跳到内容
Negotiating with the dead : a writer on writing 预览资料
关闭预览资料
正在查...

Negotiating with the dead : a writer on writing

著者: Margaret Atwood
出版商: Cambridge, U.K. ; New York : Cambridge University Press, 2002.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of  再读一些...
评估:

根据 1 评估等级 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

提及的人: Margaret Atwood; Margaret Eleanor Atwood; Margaret Atwood
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Margaret Atwood
ISBN: 0521662605 9780521662604
OCLC号码: 45917223
奖励: Winner of Booker Prize for Fiction 2000.
描述: xxvii, 219 pages ; 21 cm
内容: Introduction: Into the labyrinth --
Prologue --
Orientation: who do you think you are? (What is "a writer," and how did I become one?) --
Duplicity: the jekyll hand, the hyde hand, and the slippery double (Why there are always two) --
Dedication: The great god pen (Apollo vs. Mammon: at whose altar should the writer worship?) --
Temptation: Prospero, the Wizard of Oz, Mephisto & co. (Who waves the wand, pulls the strings, or signs the Devil's book?) --
Communion: nobody to nobody (the eternal triangle: the writer, the reader, and the book as go-between) --
Descent: Negotiating with the dead (Who makes the trip to the Underworld, and why?).
责任: Margaret Atwood.
更多信息:

摘要:

Margaret Atwood examines the nature of writing and the role of writers.  再读一些...

评论

社评

出版商概要

'Consistently enlivening ... Margaret Atwood's excellent book performs [that] vital function ... Her audience ... would have had no hesitation in according her the distinguished status thus implied.' 再读一些...

 
用户提供的评论
正在获取GoodReads评论...
正在检索DOGObooks的评论

标签

争取是第一个!
确认申请

你可能已经申请过这份资料。如果还是想申请,请选确认。

链接数据


<http://www.worldcat.org/oclc/45917223>
library:oclcnum"45917223"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/109322990>
rdf:typeschema:Person
schema:birthDate"1939"
schema:familyName"Atwood"
schema:givenName"Margaret Eleanor"
schema:givenName"Margaret"
schema:name"Atwood, Margaret Eleanor, 1939-"
schema:name"Atwood, Margaret, 1939-"
schema:creator
<http://viaf.org/viaf/109322990>
rdf:typeschema:Person
schema:birthDate"1939"
schema:familyName"Atwood"
schema:givenName"Margaret Eleanor"
schema:givenName"Margaret"
schema:name"Atwood, Margaret Eleanor, 1939-"
schema:name"Atwood, Margaret, 1939-"
schema:datePublished"2002"
schema:description"What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift? Margaret Atwood's wide reference to other writers is balanced by anecdotes from her own experiences, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of Western literature."@en
schema:description"Introduction: Into the labyrinth -- Prologue -- Orientation: who do you think you are? (What is "a writer," and how did I become one?) -- Duplicity: the jekyll hand, the hyde hand, and the slippery double (Why there are always two) -- Dedication: The great god pen (Apollo vs. Mammon: at whose altar should the writer worship?) -- Temptation: Prospero, the Wizard of Oz, Mephisto & co. (Who waves the wand, pulls the strings, or signs the Devil's book?) -- Communion: nobody to nobody (the eternal triangle: the writer, the reader, and the book as go-between) -- Descent: Negotiating with the dead (Who makes the trip to the Underworld, and why?)."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/196728845>
schema:inLanguage"en"
schema:name"Negotiating with the dead : a writer on writing"@en
schema:publication
schema:publisher
schema:workExample
wdrs:describedby

Content-negotiable representations

关闭窗口

请登入WorldCat 

没有张号吗?很容易就可以 建立免费的账号.