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Dettagli
| Informazioni aggiuntive sul format: | Online version: New film history. Basingstoke ; New York : Palgrave Macmillan, 2007 (OCoLC)608551885 |
|---|---|
| Tipo materiale: | Risorsa internet |
| Tipo documento: | Book, Internet Resource |
| Tutti gli autori / Collaboratori: |
James Chapman; H Mark Glancy; Sue Harper |
| ISBN: | 9780230001695 0230001696 |
| Numero OCLC: | 76864655 |
| Descrizione: | xi, 256 p. ; 23 cm. |
| Contenuti: | Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes -- History and representation : the case of 1970s British cinema / Sue Harper -- Gallipoli (1981) : 'a poignant search for national identity' / Mark Connelly -- 'This ship is England' : history, politics and national identity in Master and commander : the far side of the world (2003) / James Chapman -- Art in context : British film design of the 1940s / Laurie Ede -- The author as author : restoring the screenwriter to British film history / Andrew Spicer -- When 'Hanoi Jane' conquered Hollywood : Jane Fonda's films and activism, 1977-81 / Peter Krämer -- The politics of the swashbuckler / Jeffrey Richards -- The Stalinist musical / Richard Taylor -- Now, Voyager (1942) : melodrama then and now / Martin Shingler -- From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby -- Blackmail (1929), Hitchcock and film nationalism / Mark Glancy -- British cinema, American reception : Black Narcissus (1947) and the Legion of Decency / Sarah Street -- Studying cross-cultural marketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter and Tim Bergfelder -- The Wicker man (1973) email digest : a case study in web ethnography / Justin Smith. |
| Responsabilità: | edited by James Chapman, Mark Glancy and Sue Harper. |
| Maggiori informazioni: |
Commenti
Sinossi editore
'The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians ... an excellent book that should open up some interesting and exciting empirical and investigative pathways for the future of film scholarship.' - Ben McCann, Screening the Past 'This edited collection is a very welcome entry into the field of film history and provides a showcase for a broad range of new, empirically grounded research which engages with the structures and processes that have shaped the medium of film ... the essays are scholarly and engagingly written, and genuinely extend the boundaries of the discipline' - Melanie Bell, Journal of British Cinema and Television Per saperne di più…
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