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New physics and the modern French novel : an investigation of interdisciplinary discourse

Author: Maureen DiLonardo Troiano
Publisher: New York : P. Lang, ©1995.
Series: Currents in comparative Romance languages and literatures, vol. 19.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
This study argues that both science and literature operate out of comparable impulses in their consideration of the nature of truth and the perception of reality. It focuses on central scientific paradigms as they appear in the aesthetics of the French new novel, both to contrast the Newtonian Mechanistic, deterministic world-view characteristic of much of nineteenth-century thought with the dominant interest of the
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Genre/Form: Criticism, interpretation, etc
History
Additional Physical Format: Online version:
Troiano, Maureen DiLonardo, 1942-
New physics and the modern French novel.
New York : P. Lang, ©1995
(OCoLC)604891909
Online version:
Troiano, Maureen DiLonardo, 1942-
New physics and the modern French novel.
New York : P. Lang, ©1995
(OCoLC)607770795
Named Person: Alain Robbe-Grillet; Maurice Blanchot; Claude Simon; Maurice Blanchot; Alain Robbe-Grillet; Claude Simon; Maurice Blanchot; Alain Robbe-Grillet; Claude Simon; Claude Simon; Alain Robbe-Grillet; Maurice Blanchot
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Maureen DiLonardo Troiano
ISBN: 0820421987 9780820421988
OCLC Number: 27814099
Description: 276 pages ; 24 cm.
Contents: 1. Introduction --
2. Toward a Definition of Common Categories of Discourse in Science and Literature --
3. Claude Simon and the Development of the Modern Novel: Beginning an Interdisciplinary Approach to the Novel --
4. Robbe-Grillet: Adapting New Terms and Constructs to Literary Discussion --
5. Maurice Blanchot: Further Application of New Constructs to Literary Analysis --
6. Conclusion: An Outline of Common Categories of Discourse --
7. Bibliography.
Series Title: Currents in comparative Romance languages and literatures, vol. 19.
Responsibility: Maureen DiLonardo Troiano.

Abstract:

This study argues that both science and literature operate out of comparable impulses in their consideration of the nature of truth and the perception of reality. It focuses on central scientific paradigms as they appear in the aesthetics of the French new novel, both to contrast the Newtonian Mechanistic, deterministic world-view characteristic of much of nineteenth-century thought with the dominant interest of the twentieth century in indeterminancy, illogic, paradox, and entropy.

It describes the new novel as a subjective, probabilistic entity, a new Gestalt/ontological event in which the "re-presentation" of reality becomes a nonabsolute time/space experience occurring simultaneously with the act of reading.

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