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The new red Negro : the literary left and African American poetry, 1930-1946
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The new red Negro : the literary left and African American poetry, 1930-1946

Author: James Edward Smethurst
Publisher: New York : Oxford University Press, 1999.
Series: Race and American culture.
Edition/Format:   Book : EnglishView all editions and formats
Summary:

This text surveys African American poetry between the onset of the Depression and the early days of the Cold War. It considers the relationship between the thematic and formal choices of African  Read more...

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Details

Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: James Edward Smethurst
ISBN: 019512054X 9780195120547
OCLC Number: 38898072
Description: xii, 288 p. ; 24 cm.
Contents: Introduction: Of the coming of the new red negro --
African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond --
"The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice --
"Adventures of a social poet": Langston Highes in the 1930s --
"I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry --
Hughes's Shakespeare in Harlem and the rise of popular neomodernism --Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism --
The popular front , World War II, and the rise of neomoderism in African-American poetry of the 1940s --
Conclusion: Sullen bakeries of total recall".
Series Title: Race and American culture.
Responsibility: James Edward Smethurst.
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"Smethurst fills a gap in the study of African American literature....Extensive notes on the text and bibliography provide insight into Smethurst's sources and analysis and provide a basis for Read more...

 
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schema:description"Introduction: Of the coming of the new red negro -- African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond -- "The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice -- "Adventures of a social poet": Langston Highes in the 1930s -- "I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry -- Hughes's Shakespeare in Harlem and the rise of popular neomodernism --Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism -- The popular front , World War II, and the rise of neomoderism in African-American poetry of the 1940s -- Conclusion: Sullen bakeries of total recall"."
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