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New Takes in Film-Philosophy.

Author: Havi Carel; Greg Tuck
Publisher: Basingstoke : Palgrave Macmillan, 2011.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.
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Genre/Form: Electronic books
Electronic resource
Additional Physical Format: Print version:
Carel, Dr Havi.
New Takes in Film-Philosophy.
Basingstoke : Palgrave Macmillan, ©2011
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Havi Carel; Greg Tuck
ISBN: 9780230294851 0230294855 1282998463 9781282998469
OCLC Number: 707068617
Description: 1 online resource (272 pages)
Contents: On the Possibility of Cinematic Philosophy --
Re-enfranchising Film: Towards a Romantic Film-Philosophy --
Notes on Stanley Cavell and Philosophical Film Criticism --
Broken Glass by the Road: Adorno and a Cinema of Negativity --
Film Can't Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema --
The Loom of Fate: Graphic Origins and Digital Ontology in Wanted --
Film, Literature and Non-Cognitive Affect --
Theory as Style: Adapting Crash via Baudrillard and Cronenberg --
The Ghost is the Machine: Media-Philosophy and Materialism --
Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema --
Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman's Blue --
Serious Men: The Films of the Coen Brothers as Ethics --
A Bleak Burlesque: Michael Haneke's Funny Games as a Study in Violence --
In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto's VitalIndex.

Abstract:

This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.

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