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The new typography : a handbook for modern designers

Autore: Jan Tschichold
Editore: Berkeley : University of California Press, ©1995.
Serie: Weimar and now, 8.
Edizione/Formato:   Libro : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Since its initial publication in Berlin in 1928, Jan Tschichold's The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le
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Informazioni aggiuntive sul formato: Online version:
Tschichold, Jan, 1902-1974.
New typography.
Berkeley : University of California Press, c1995
(OCoLC)604985455
Online version:
Tschichold, Jan, 1902-1974.
New typography.
Berkeley : University of California Press, c1995
(OCoLC)606442467
Tipo materiale: Government publication, State or province government publication
Tipo documento: Book
Tutti gli autori / Collaboratori: Jan Tschichold
ISBN: 0520071468 9780520071469
Numero OCLC: 32018146
Nota sulla lingua: Translation of: Die neue typographie: ein handbuch für Zeitgemäss Schaffende.
Descrizione: xliv, 236 p. : ill. ; 22 cm.
Titolo della serie: Weimar and now, 8.
Altri titoli: Neue Typographie.
Responsabilità: Jan Tschichold ; translated by Ruari McLean, with an introduction by Robin Kinross.
Maggiori informazioni:

Abstract:

Since its initial publication in Berlin in 1928, Jan Tschichold's The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le Corbusier's Toward a New Architecture has long held among architects.

The book's legendary renown is certain to increase with the long-overdue appearance of this first English translation, published in a form that reflects Tschichold's original typography and design. Ranging from theoretical discussions of typography in the age of photography and mechanical standardization to practical considerations in designing business forms, The New Typography remains essential reading for designers, art historians, and all those concerned with the evolution of visual communication in the twentieth century.

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