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The new typography : a handbook for modern designers

著者: Jan Tschichold
出版: Berkeley : University of California Press, ©1995.
シリーズ: Weimar and now, 8.
エディション/フォーマット:   書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Since its initial publication in Berlin in 1928, Jan Tschichold's The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le
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その他のフォーマット: Online version:
Tschichold, Jan, 1902-1974.
New typography.
Berkeley : University of California Press, c1995
(OCoLC)604985455
Online version:
Tschichold, Jan, 1902-1974.
New typography.
Berkeley : University of California Press, c1995
(OCoLC)606442467
資料の種類: Government publication, State or province government publication
ドキュメントの種類: 図書
すべての著者/寄与者: Jan Tschichold
ISBN: 0520071468 9780520071469
OCLC No.: 32018146
言語注記: Translation of: Die neue typographie: ein handbuch für Zeitgemäss Schaffende.
物理形態: xliv, 236 p. : ill. ; 22 cm.
シリーズタイトル: Weimar and now, 8.
その他のタイトル: Neue Typographie.
責任者: Jan Tschichold ; translated by Ruari McLean, with an introduction by Robin Kinross.
その他の情報:

概要:

Since its initial publication in Berlin in 1928, Jan Tschichold's The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le Corbusier's Toward a New Architecture has long held among architects.

The book's legendary renown is certain to increase with the long-overdue appearance of this first English translation, published in a form that reflects Tschichold's original typography and design. Ranging from theoretical discussions of typography in the age of photography and mechanical standardization to practical considerations in designing business forms, The New Typography remains essential reading for designers, art historians, and all those concerned with the evolution of visual communication in the twentieth century.

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