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The new typography : a handbook for modern designers

著者: Jan Tschichold
出版商: Berkeley : University of California Press, ©1995.
丛书: Weimar and now, 8.
版本/格式:   图书 : 州政府或者省政府刊物 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Since its initial publication in Berlin in 1928, Jan Tschichold's The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le
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附加的形体格式: Online version:
Tschichold, Jan, 1902-1974.
New typography.
Berkeley : University of California Press, c1995
(OCoLC)604985455
Online version:
Tschichold, Jan, 1902-1974.
New typography.
Berkeley : University of California Press, c1995
(OCoLC)606442467
材料类型: 政府刊物, 州政府或者省政府刊物
文件类型:
所有的著者/提供者: Jan Tschichold
ISBN: 0520071468 9780520071469
OCLC号码: 32018146
语言注释: Translation of: Die neue typographie: ein handbuch für Zeitgemäss Schaffende.
描述: xliv, 236 p. : ill. ; 22 cm.
丛书名: Weimar and now, 8.
其他题名: Neue Typographie.
责任: Jan Tschichold ; translated by Ruari McLean, with an introduction by Robin Kinross.
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摘要:

Since its initial publication in Berlin in 1928, Jan Tschichold's The New Typography has been recognized as the definitive treatise on book and graphic design in the machine age. At once a key theoretical document of Central European modernism between the world wars and an invaluable source of working principles for the practicing designer, this classic work enjoys the reputation among book artists that Le Corbusier's Toward a New Architecture has long held among architects.

The book's legendary renown is certain to increase with the long-overdue appearance of this first English translation, published in a form that reflects Tschichold's original typography and design. Ranging from theoretical discussions of typography in the age of photography and mechanical standardization to practical considerations in designing business forms, The New Typography remains essential reading for designers, art historians, and all those concerned with the evolution of visual communication in the twentieth century.

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