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Nineteenth- and twentieth-century European drawings

Autor: Richard R Brettell; Françoise Forster-Hahn; Duncan Robinson; Janis A Tomlinson; Metropolitan Museum of Art (New York, N.Y.)
Editora: New York : Metropolitan Museum of Art ; Princeton, N.J. : in association with Princeton University Press, ©2002.
Séries: Robert Lehman Collection, 9.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Robert Lehman was a member of the first generation of American collectors to embrace what we call modern art. This volume catalogues 207 nineteenth- and twentieth-century European drawings that are now part of the Robert Lehman Collection at the Metropolitan Museum. More than three-quarters of these drawings are French, but there are also sheets from Italy, Spain, Germany, the Netherlands, and Great Britain. Most  Ler mais...
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Detalhes

Gênero/Forma: Catalogs
Catalogues
Pessoa Denominada: Robert Lehman; Robert Lehman; Robert Lehman
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Richard R Brettell; Françoise Forster-Hahn; Duncan Robinson; Janis A Tomlinson; Metropolitan Museum of Art (New York, N.Y.)
ISBN: 1588390004 9781588390004 0691114153 9780691114156
Número OCLC: 51971311
Descrição: xviii, 462 pages : illustrations (some color) ; 29 cm.
Conteúdos: Preface and acknowledgements / Egbert Haverkamp-Begemann --
Introduction / Richard R. Brettell --
Note to the reader --
Catalogue --
Concordance --
Bibliography --
Index of drawings in the Robert Lehman Collection --
Index.
Título da Série: Robert Lehman Collection, 9.
Responsabilidade: Richard R. Brettell and Françoise Forster-Hahn, Duncan Robinson, Janis A. Tomlinson.

Resumo:

Robert Lehman was a member of the first generation of American collectors to embrace what we call modern art. This illustrated volume catalogues 207 nineteenth- and twentieth-century European  Ler mais...

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"Richard R. Brettell's introduction to the catalog [is] a remarkably candid and finely written account of Lehman's career as a collector... Both in this introductory essay and in his commentaries on Ler mais...

 
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