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Nineteenth-century art : from Romanticism to Art Nouveau : the Walters Art Gallery, Baltimore

Author: William R Johnston; Walters Art Gallery (Baltimore, Md.)
Publisher: London : Scala ; [Baltimore, Md.] : Walters Art Gallery ; Wappingers Falls, NY : Distributed outside the Walters Art Gallery in the USA and Canada by Antique Collectors' Club, 2000.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"The nineteenth-century holdings of the Walters Art Gallery are unique amongst museum art collections from this period. This new title presents the highlights from this collection. These include a series of paintings by the foremost masters of the Romantic era, J.A.D. Ingres and Eugene Delacroix, as well as landscapes by painters associated with the Barbizon school. Likewise, the "transportation" series of  Read more...
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Genre/Form: Catalogs
Additional Physical Format: Online version:
Walters Art Gallery (Baltimore, Md.).
Nineteenth-century art.
London : Scala ; [Baltimore, Md.] : Walters Art Gallery ; Wappingers Falls, NY : Distributed outside the Walters Art Gallery in the USA and Canada by Antique Collectors' Club, 2000
(OCoLC)606390419
Document Type: Book
All Authors / Contributors: William R Johnston; Walters Art Gallery (Baltimore, Md.)
ISBN: 1857592263 9781857592269 1857592433 9781857592436
OCLC Number: 44495125
Notes: Includes index.
Description: 159 pages : color illustrations ; 28 cm
Contents: Introduction: The Nineteenth-Century Collection at the Walters Art Gallery --
Neoclassicism and Romanticism --
Perceptions of Nature --
Social Realism and Genre Painting --
The Academic Tradition --
Historicism --
Orientalism and Exoticism --
Modern Life --
The Impressionists and the Avant-Garde --
The End of the Century.
Responsibility: William R. Johnston.

Abstract:

"The nineteenth-century holdings of the Walters Art Gallery are unique amongst museum art collections from this period. This new title presents the highlights from this collection. These include a series of paintings by the foremost masters of the Romantic era, J.A.D. Ingres and Eugene Delacroix, as well as landscapes by painters associated with the Barbizon school. Likewise, the "transportation" series of watercolors that William Walters bought from Honore Daumier in 1864 is generally recognized as the highpoint of nineteenth-century Realism. However, it is in the field of academic art, which dominated French art during the Second Empire (1852-70), that The Walters excels. The conflicts between the academic painters - especially Jean-Leon Gerome and Alexandre Cabanel - and the impressionists are demonstrated by the museum's collection. The author presents the work of Edouard Manet in close proximity to that of his teacher, Thomas Couture, and the landscapes of Claude Monet and Alfred Sisley are juxtaposed with a highly idealized, poetic vision of Egypt by Charles Gleyre, with whom they trained."--Jacket.

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