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No medium

ผู้แต่ง: Craig Douglas Dworkin
สำนักพิมพ์: Cambridge, Massachusetts : The MIT Press, [2013]
ครั้งที่พิมพ์/รูปแบบ:   Print book : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม History
ขนิดวัสดุ: ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Craig Douglas Dworkin
ISBN: 9780262018708 0262018705
OCLC Number: 799025194
คำอธิบาย: 219 pages ; 24 cm
สารบัญ: The logic of substrate --
Cenography --
Textual prostheses --
Hard core/soft focus --
The dative of form --
Tangent --
Signal to noise --
Further listening.
ความรับผิดชอบ: Craig Dworkin.

บทคัดย่อ:

In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orph?e to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De KooningDrawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33", Dworkin links Cage's composition to Rauschenberg's White Paintings, KenFriedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a "guide to further listening" that surveys more than 100 scores and recordings of "silent" music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.

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No Medium is not only an admirable feat of painstaking research that puts into conversation an impressive range of artworks, both famous and obscure, but also a testament to the fact that for the อ่านมากขึ้น…

 
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