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Nobody knows my name : more notes of a native son

著者: James Baldwin
出版社: New York : The Dial Press, 1961.
エディション/フォーマット:   紙書籍 : Essay : Englishすべてのエディションとフォーマットを見る
概要:
Essays discuss race relations, segregation, the role of the writer in society, and the work of Andre Gide, Richard Wright, and Norman Mailer. Baldwin's early essays have been described as 'an unequalled meditation on what it means to be black in America' . This rich and stimulating collection contains 'Fifth Avenue, Uptown: a Letter from Harlem', polemical pieces on the tragedies inflicted by racial segregation and  続きを読む
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その他のフォーマット: Online version:
Baldwin, James, 1924-1987.
Nobody knows my name.
New York, Dial Press, 1961
(OCoLC)647066451
関連の人物: James Baldwin; James Baldwin
ドキュメントの種類 書籍
すべての著者/寄与者: James Baldwin
ISBN: 9780440364351 0440364353
OCLC No.: 167963
物理形態: xiv, 241 pages ; 22 cm
コンテンツ: part 1. Sitting in the house ... The discovery of what it means to be an American --
Princes and powers --
Fifth Avenue, uptown : a letter from Harlem --
East River, downtown : postscript to A letter from Harlem --
A fly in buttermilk --
Nobody knows my name : a letter from the South --
Faulkner and desegregation --
In search of a majority. part 2. ... with everything on my mind. Notes for a hypothetical novel --
The male prison --
The Northern Protestant --
Alas, poor Richard --
The black boy looks at the white boy.
責任者: by James Baldwin.

概要:

Essays discuss race relations, segregation, the role of the writer in society, and the work of Andre Gide, Richard Wright, and Norman Mailer. Baldwin's early essays have been described as 'an unequalled meditation on what it means to be black in America' . This rich and stimulating collection contains 'Fifth Avenue, Uptown: a Letter from Harlem', polemical pieces on the tragedies inflicted by racial segregation and a poignant account of his first journey to 'the Old Country', the southern states. Yet equally compelling are his 'Notes for a Hypothetical Novel' and personal reflections on being American, on other major artists - Ingmar Bergman and Andre Gide, Norman Mailer and Richard Wright - and on the first great conference of Negro - American writers and artists in Paris. In his introduction Baldwin describes the writer as requiring 'every ounce of stamina he can summon to attempt to look on himself and the world as they are' ; his uncanny ability to do just that is proclaimed on every page of this famous book.

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