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North German church music in the age of Buxtehude

Auteur : Geoffrey Webber
Éditeur : Oxford : Clarendon Press ; New York : Oxford University Press, 1996.
Collection : Oxford monographs on music.
Édition/format :   Livre : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Dieterich Buxtehude (c. 1637-1707) was the greatest figure in the history of German music between Schutz and Bach. His church music is performed today, yet that of his North German contemporaries (such as Matthias Weckmann, Christoph Bernhard, Nicolaus Bruhns, and Johann Meder) has received comparatively little attention. This book, taking its lead from Jerome Roche's illuminating study North Italian Church Music in  Lire la suite...
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Détails

Personne nommée : Dietrich Buxtehude; Dietrich Buxtehude; Dietrich Buxtehude; Dietrich Buxtehude
Format : Livre
Tous les auteurs / collaborateurs : Geoffrey Webber
ISBN : 019816212X 9780198162124
Numéro OCLC : 32893312
Description : viii, 236 pages : illustrations, map ; 24 cm.
Contenu : Music in religious thought and education --
Music in the Lutheran liturgy --
The influence of Italian music --
Town and court musicians : the composer in context --
Texts --
Scoring and structure --
Compositional techniques --
Compositional styles --
Performance practice.
Titre de collection : Oxford monographs on music.
Responsabilité : Geoffrey Webber.
Plus d’informations :

Résumé :

This is a survey of North German church music from the period of the most well-known of J.S. Bach's immediate German predecessors, Dietrich Buxtehude (c.1637-1707). Particular emphasis is placed on  Lire la suite...

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Geoffrey Webber's book will undoubtedly inspire exploration and programme development...Webber's writing is lucid and succinct, and conveys a strong sense of the relative interest and values of Lire la suite...

 
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Données liées


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schema:description"Dieterich Buxtehude (c. 1637-1707) was the greatest figure in the history of German music between Schutz and Bach. His church music is performed today, yet that of his North German contemporaries (such as Matthias Weckmann, Christoph Bernhard, Nicolaus Bruhns, and Johann Meder) has received comparatively little attention. This book, taking its lead from Jerome Roche's illuminating study North Italian Church Music in the Age of Monteverdi (OUP, 1984), presents an overview of the North German church music of Buxtehude's lifetime, much of which remains unavailable in modern editions. It challenges widely-held beliefs about the nature and development of the repertory, and of the place held by Buxtehude within it. The picture that emerges is of a repertory that is far more beholden to Italian influence than has previously been appreciated, and one that is not dominated by any single figure."@en
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