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| 類型/形式： | Quelle |
|---|---|
| 其他的實體格式： | Online version: Frost, Robert, 1874-1963. Notebooks of Robert Frost. Cambridge, Mass. : Belknap Press of Harvard University Press, 2006 (OCoLC)608364322 |
| 提及的人： | Robert Frost; Robert Frost; Robert Frost |
| 資料類型： | 網際網路資源 |
| 文件類型： | 圖書, 網路資源 |
| 所有的作者/貢獻者： |
Robert Frost; Robert Faggen |
| ISBN: | 0674023110 9780674023116 |
| OCLC系統控制編碼： | 69241543 |
| 注意： | First scholarly edition of notebooks kept by Frost, transcribed and annotated. |
| 描述： | xxxii, 809 p. : ill. ; 24 cm. |
| 内容： | 1890-1950: Hunter James -- 1903: The hermits -- 1903-1910: All these different psycological experiments -- 1909-1950: If I had prayed every day what you prayed I don't see how I could help calling myself a Utopian -- 1910-1955: Submission to the law of the machine -- 1910: Bring all under the influence of the great books as under a spell -- 1911: She's ... writer I guess you'd call it wants to go on the stage -- 1912-1915: A place apart -- 1913:1917: beggars in England -- 1916-1918: All my thoughts of every thing -- 1916-1919: Two poets -- 1918-1921: A time when nothing, neither religion nor patriotism comes to an apex -- 1919: The copperhead -- 1920-1930: The furthest two things can be away from each other -- 1923-1924: Learn lives of poet -- 1924: I don't see what you have to complain of -- 1924-1925: You and I -- 1926-1928: Difference between meter and rhythm -- 1928: I learned to laugh when I was young -- 1929: These are not monologues but my part in a conversation -- 1930-1940: Thick skinned thick headed -- 1930-1940: Tru humility is a kind of carelessness -- 1935-1951: True humility again lies in suffering -- 1935: Curiously enough -- as a connection -- 1935: America and the plot -- 1935: Since surely good is evil's better helf -- 1936: The question for the original -- 1936-1939: Having learned to read -- 1937-1942: Democracy -- 1937: Alci that Socratic boy -- 1937-1955: Three of those evils parsed in half an hour -- 1940-1950: Leila. What have brough him into the house for? -- 1940: Prophetic -- 1950: What is your attitude toward our having robbed the indians of the American continent? -- 1951-1952: Pertinax -- 1950-1955: And it would satisfy something in him -- 1950-1955: If his own intuitions were correct -- 1950-1951: There is a shadow alway on success -- 1950-1962: If we are too much given to reflect -- 1950-1962: I wont be talked to by a woman, tell her -- 1960-1962: Dedication of the Gift outright -- Undated: One favord acorn -- Undated: First answerability divine right -- Undated: Last refinement of subject matter -- Undated: Sentences may have the greatest monotony to the eye -- Undated: Many speak as if it was a reproach to the puritans -- Undated loose notebook pages: All thoughts all passions all delights -- Undated: Nothing more composing than composition. |
| 責任： | edited by Robert Faggen. |
摘要：
評論
出版商概要
[Frost] was a set of inconsistencies: a Romantic bent on critiquing Romanticism; a pragmatist and quasi-Social Darwinist who wasn't quite convinced of his own views. As Faggen points out in an insightful introduction, Frost returns again and again to the feeling that life 'can consist of the inconsistent.' Like Thomas Hardy before him, he was skeptical of the tidy categories and labels society tended to supply. He describes the public as 'hasty judges.' He spoke of wishing to be viewed as 'the exception I like to think I am in everything.'...Patient readers will discover plenty of the pith of which Frost was capable. Cumulatively, the fragments are almost poignant; they underscore the privacy of the human mind and remind us of the labor that goes into the apparent transparency of Frost's poetry. And while we don't learn much about his actual mode of composition--there are few drafts here--the notebooks do supply a great deal of what Faggen calls 'insight into the...ideas that became poems.'...Faggen calls Frost's notebooks a 'laboratory' and so they seem. What they capture is a figure bent on examining above all how to say things he considers true...If his lodestars are pragmatism and reticence, his notebooks reveal how hard-won these qualities were--how Frost struggled to combat his vanity and the scorn he sometimes felt for others.--Meghan O'Rourke"Los Angeles Times Book Review" (03/04/2007) 再讀一些...
