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Nymph : motif, phantom, affect : a contribution to the study of Aby Warburg (1866-1929)

Author: Barbara Baert
Publisher: Leuven : Peeters, 2014.
Series: Studies in iconology, 1.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"The presence and the meaning of the nymph in late medieval and early modern art goes beyond the fashionable adoption of an antique motif. It was Aby Warburg ... who developed a passionate interest in the divine girl ... who wandered near bucolic springs and grottoes ... It is not the nymph's iconographic Nachleben that interests me here, but rather her pictorial identity in early humanism. This aspect opens up a  Read more...
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Genre/Form: Criticism, interpretation, etc
Named Person: Aby Warburg; Aby Warburg; Aby Warburg
Document Type: Book
All Authors / Contributors: Barbara Baert
ISBN: 9042930659 9789042930650
OCLC Number: 880130938
Description: 132 pages : color illustrations, facsimiles, portraits ; 25 cm.
Contents: La quale è molto bella --
Der Gegenstand meiner Träume --
Urprägewerk in der Ausdruckwelt tragischer Ergriffenheit --
{Interval} The girl dances : stumbling and silence --
Nymph as affect : Zeitgeist, chora --
Protest! --
Ich sehe nur Chaos für Augen --
In Pandora's box are butterflies --
Kreuzlingen, den 18. Dezember 1929.
Series Title: Studies in iconology, 1.
Other Titles: Motif, phantom, affect : a contribution to the study of Aby Warburg (1866-1929)
Responsibility: Barbara Baert.

Abstract:

"The presence and the meaning of the nymph in late medieval and early modern art goes beyond the fashionable adoption of an antique motif. It was Aby Warburg ... who developed a passionate interest in the divine girl ... who wandered near bucolic springs and grottoes ... It is not the nymph's iconographic Nachleben that interests me here, but rather her pictorial identity in early humanism. This aspect opens up a discourse on movement and the wind in the visual medium, on pictorial 'disruptors', on the impact of the nymph on the viewer, and on (self- )reflection in the fine arts, particularly painting."--Page [3].

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