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Of women, poetry, and power : strategies of address in Dickinson, Miles, Brooks, Lorde, and Angelou

Auteur : Zofia Burr
Éditeur : Urbana : University of Illinois Press, ©2002.
Édition/format :   Livre : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
"The legacy of Emily Dickinson's life and work have shaped a romantic conception of women's poetry as private, personal, and expressive that has governed the reception of subsequent American women poets." "Of Women, Poetry, and Power demonstrates how the canonization of Dickinson has consolidated limiting assumptions about women's poetry in twentieth-century America and models an alternative reading practice that  Lire la suite...
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Détails

Personne nommée : Emily Dickinson; Gwendolyn Brooks; Josephine Miles; Maya Angelou; Audre Lorde; Emily Dickinson; Gwendolyn Brooks; Josephine Miles; Maya Angelou; Audre Lorde; Emily Dickinson; Gwendolyn Brooks; Josephine Miles; Maya Angelou; Audre Lorde; Emily Dickinson; Josephine Miles; Gwendolyn Brooks; Audre Lorde; Maya Angelou
Type d’ouvrage : Publication gouvernementale, Publication gouvernementale provinciale ou d'état, Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Zofia Burr
ISBN : 0252027698 9780252027697
Numéro OCLC : 50583134
Description : xii, 232 p. : ill. ; 24 cm.
Contenu : The Canonization of Emily Dickinson --
Josephine Miles and the Common Materials of Language --
Reading Gwendolyn Brooks across Audiences --
Audre Lorde and the Responsibility of the Reader --
Maya Angelou on the Inaugural Stage.
Responsabilité : Zofia Burr.
Plus d’informations :

Résumé :

"The legacy of Emily Dickinson's life and work have shaped a romantic conception of women's poetry as private, personal, and expressive that has governed the reception of subsequent American women poets." "Of Women, Poetry, and Power demonstrates how the canonization of Dickinson has consolidated limiting assumptions about women's poetry in twentieth-century America and models an alternative reading practice that allows for deeper engagement with the political work of modern poetry." "Analyzing the reception of poems by Josephine Miles, Gwendolyn Brooks, Audre Lorde, and Maya Angelou, Zofia Burr shows the persistence of these critical outlooks and dispels the belief that we have long since moved beyond such limiting gendered expectations. Turning away from an obsessive concern with a poet's biography, Burr's readings of contemporary women's poetry accentuate its engagement with and provocation of readers through its forms of address. Burr shows how displacing the limits of dominant reception is possible by approaching poetry as communicative utterance, not just as self-expression."--Jacket.

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