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Of women, poetry, and power : strategies of address in Dickinson, Miles, Brooks, Lorde, and Angelou

作者: Zofia Burr
出版商: Urbana : University of Illinois Press, ©2002.
版本/格式:   圖書 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"The legacy of Emily Dickinson's life and work have shaped a romantic conception of women's poetry as private, personal, and expressive that has governed the reception of subsequent American women poets." "Of Women, Poetry, and Power demonstrates how the canonization of Dickinson has consolidated limiting assumptions about women's poetry in twentieth-century America and models an alternative reading practice that  再讀一些...
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詳細書目

類型/形式: Criticism, interpretation, etc
History
提及的人: Emily Dickinson; Gwendolyn Brooks; Josephine Miles; Maya Angelou; Audre Lorde; Emily Dickinson; Gwendolyn Brooks; Josephine Miles; Maya Angelou; Audre Lorde; Emily Dickinson; Gwendolyn Brooks; Josephine Miles; Maya Angelou; Audre Lorde; Emily Dickinson; Josephine Miles; Gwendolyn Brooks; Audre Lorde; Maya Angelou; Maya Angelou; Gwendolyn Brooks; Emily Dickinson; Audre Lorde; Josephine Miles
資料類型: 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Zofia Burr
ISBN: 0252027698 9780252027697
OCLC系統控制編碼: 50583134
描述: xii, 232 p. : ill. ; 24 cm.
内容: The Canonization of Emily Dickinson --
Josephine Miles and the Common Materials of Language --
Reading Gwendolyn Brooks across Audiences --
Audre Lorde and the Responsibility of the Reader --
Maya Angelou on the Inaugural Stage.
責任: Zofia Burr.
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摘要:

"The legacy of Emily Dickinson's life and work have shaped a romantic conception of women's poetry as private, personal, and expressive that has governed the reception of subsequent American women poets." "Of Women, Poetry, and Power demonstrates how the canonization of Dickinson has consolidated limiting assumptions about women's poetry in twentieth-century America and models an alternative reading practice that allows for deeper engagement with the political work of modern poetry." "Analyzing the reception of poems by Josephine Miles, Gwendolyn Brooks, Audre Lorde, and Maya Angelou, Zofia Burr shows the persistence of these critical outlooks and dispels the belief that we have long since moved beyond such limiting gendered expectations. Turning away from an obsessive concern with a poet's biography, Burr's readings of contemporary women's poetry accentuate its engagement with and provocation of readers through its forms of address. Burr shows how displacing the limits of dominant reception is possible by approaching poetry as communicative utterance, not just as self-expression."--Jacket.

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