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Olivier Messiaen, the musical mediator : a study of the influence of Liszt, Debussy, and Bartók

著者: Madeleine Forte
出版: Madison [N.J.] : Fairleigh Dickinson University Press, ©1996.
エディション/フォーマット:   book_printbook : Biography : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Olivier Messiaen, The Musical Mediator analyzer selected piano compositions of Olivier Messiaen with the aid of Jan LaRue's Guidelines for Style Analysis. It provides a guide for the interpretation and performance of the compositions, and for each composition gives pedagogical instruction under six headings: Rhythm, Phrasing/Slurring, Dynamics, Touch/Tone Production, Pedaling, and Technique. It also offers  続きを読む
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ジャンル/形式: Sources
その他のフォーマット: Online version:
Forte, Madeleine, 1938-
Olivier Messiaen, the musical mediator.
Madison [N.J.] : Fairleigh Dickinson University Press, ©1996
(OCoLC)651728809
関連の人物: Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Franz Liszt; Claude Debussy; Béla Bartók; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen
資料の種類: Biography
ドキュメントの種類: 図書
すべての著者/寄与者: Madeleine Forte
ISBN: 0838635954 9780838635957
OCLC No.: 32665056
物理形態: 183 pages : illustrations, music ; 25 cm
コンテンツ: Foreword / Elliott Antokoletz --
1. Messiaen in His Time --
2. Analyses of Preludes and Regard de l'Esprit de joie --
3. A Guide to Interpretation and Performance --
4. Bartok: Messiaen's Master of Thought? --
5. Summary --
Appendix A. "Catholic" and "Non-Catholic" Figures of Messiaen --
Appendix B. Chronological List of Published Works for Piano Solo by Olivier Messiaen --
Appendix C. Translations for Preludes and Regard de l'Esprit de joie --
Appendix D. Messiaen's Personal Manifesto.
責任者: Madeleine Hsu.

概要:

Olivier Messiaen, The Musical Mediator analyzer selected piano compositions of Olivier Messiaen with the aid of Jan LaRue's Guidelines for Style Analysis. It provides a guide for the interpretation and performance of the compositions, and for each composition gives pedagogical instruction under six headings: Rhythm, Phrasing/Slurring, Dynamics, Touch/Tone Production, Pedaling, and Technique. It also offers background information on Messiaen's philosophy of music, particularly the religious, literary, visual, and musical experiences that affected his compositions.

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