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Olivier Messiaen, the musical mediator : a study of the influence of Liszt, Debussy, and Bartók

Auteur: Madeleine Forte
Uitgever: Madison [N.J.] : Fairleigh Dickinson University Press, ©1996.
Editie/Formaat:   Gedrukt boek : Biografie : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
Olivier Messiaen, The Musical Mediator analyzer selected piano compositions of Olivier Messiaen with the aid of Jan LaRue's Guidelines for Style Analysis. It provides a guide for the interpretation and performance of the compositions, and for each composition gives pedagogical instruction under six headings: Rhythm, Phrasing/Slurring, Dynamics, Touch/Tone Production, Pedaling, and Technique. It also offers  Meer lezen...
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Details

Genre/Vorm: Sources
Aanvullende fysieke materiaalsoort: Online version:
Forte, Madeleine, 1938-
Olivier Messiaen, the musical mediator.
Madison [N.J.] : Fairleigh Dickinson University Press, ©1996
(OCoLC)651728809
Genoemd persoon: Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Franz Liszt; Claude Debussy; Béla Bartók; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen; Olivier Messiaen
Genre: Biografie
Soort document Boek
Alle auteurs / medewerkers: Madeleine Forte
ISBN: 0838635954 9780838635957
OCLC-nummer: 32665056
Beschrijving: 183 pages : illustrations, music ; 25 cm
Inhoud: Foreword / Elliott Antokoletz --
1. Messiaen in His Time --
2. Analyses of Preludes and Regard de l'Esprit de joie --
3. A Guide to Interpretation and Performance --
4. Bartok: Messiaen's Master of Thought? --
5. Summary --
Appendix A. "Catholic" and "Non-Catholic" Figures of Messiaen --
Appendix B. Chronological List of Published Works for Piano Solo by Olivier Messiaen --
Appendix C. Translations for Preludes and Regard de l'Esprit de joie --
Appendix D. Messiaen's Personal Manifesto.
Verantwoordelijkheid: Madeleine Hsu.

Fragment:

Olivier Messiaen, The Musical Mediator analyzer selected piano compositions of Olivier Messiaen with the aid of Jan LaRue's Guidelines for Style Analysis. It provides a guide for the interpretation and performance of the compositions, and for each composition gives pedagogical instruction under six headings: Rhythm, Phrasing/Slurring, Dynamics, Touch/Tone Production, Pedaling, and Technique. It also offers background information on Messiaen's philosophy of music, particularly the religious, literary, visual, and musical experiences that affected his compositions.

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