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On the margins of art worlds

Author: Larry P Gross
Publisher: Boulder : Westview Press, 1995.
Series: Institutional structures of feeling.
Edition/Format:   Book : EnglishView all editions and formats
Summary:
The concept of the art world confronts and undermines the romantic ideology of art and artists that is still dominant in Western societies. By treating the production of art as work and artists as workers and examining the conditions under which these activities take place, this sociological perspective illuminates much that remains obscured by romantic individualism. The art worlds analysis represented in this  Read more...
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Additional Physical Format: Online version:
On the margins of art worlds.
Boulder : Westview Press, 1995
(OCoLC)624400479
Document Type: Book
All Authors / Contributors: Larry P Gross
ISBN: 0813316790 9780813316796
OCLC Number: 31374580
Description: ix, 285 p. ; 23 cm.
Contents: Art and artists on the margins / L. Gross --
Negotiating the critical discourse: the Armory Show revisited / M. McLoughlin --
Public art and cultural authority / R. Slavin --
Artists entering the marketplace: pricing new art / K. Warchol --
"Woman artist": between myth and stereotype / B. J. Kauffman --
From east to west: Polish artists in the New York art world / K. Warchol --
Directorial intention and persona in film school / L. Henderson --
"A photograph is not a picture": distinguishing anarchy from art in the late nineteenth century / P. Inglesby --
Between art and industry: amateur photography and middlebrow culture / M. Griffin --
Trading places in the art world: the reputations of Dorothea Lange and Walker Evans / C. L. Preston --
Graffiti as public and private art / R. S. Drew --
Animation art: the fine art of selling collectibles / W. Mikulak --
Native American art and artists in visual arts documentaries from 1973 to 1991 / S. Leuthold.
Series Title: Institutional structures of feeling.
Responsibility: edited by Larry Gross.

Abstract:

The concept of the art world confronts and undermines the romantic ideology of art and artists that is still dominant in Western societies. By treating the production of art as work and artists as workers and examining the conditions under which these activities take place, this sociological perspective illuminates much that remains obscured by romantic individualism. The art worlds analysis represented in this collection of original studies questions the social arrangements that determine the recruitment and training of artists, the institutional mechanisms that govern distribution and influence success, the processes of innovation within art worlds, and the emergence of new formations around new media or new players. These studies share a focus on borderline cases and questions - on actions, transactions, and transitions at the margins of art worlds. Controversies and critical incidents expose many of the otherwise invisible rules and procedures that determine art world practices. Examining transitions across the border into art worlds has much to tell us about aesthetic values and biases obscured by the romantic ideology of artistic genius. Looking at art worlds organized around marginal media - amateur photography, video, graffiti - reveals patterns of interaction and evaluation strikingly reminiscent of those found in the fine art mainstream.

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