pular para conteúdo
Oral history, 1991. Ver prévia deste item
FecharVer prévia deste item
Checando...

Oral history, 1991.

Autor: John Rewald; National Endowment for the Humanities,
Edição/Formato   Material de arquivo : Inglês
Publicação:Museum of Modern Art Oral History Project, 1990-1994.
Base de Dados:WorldCat
Resumo:
Rewald discusses his student days in Germany, his growing interest in art, and his first meeting with Alfred H. Barr, Jr. in Paris before World War II. He recounts his journey to the U.S. during the war, and his first employment at The Museum of Modern Art as a proofreader. He discusses subsequent work with Barr on the latter's seminal book, Matisse: His Art and His Public (c. 1951) as well as the publication of
Classificação:

(ainda não classificado) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Gênero/Forma: Oral histories
Transcripts
Pessoa Denominada: John Rewald; Alfred H Barr, Jr.; John Hay Whitney; Alfred Hamilton Barr; John Rewald; John Rewald; Gertrude Stein; William Stanley Rubin
Tipo de Documento: Material de Arquivo
Todos os Autores / Contribuintes: John Rewald; National Endowment for the Humanities,
Número OCLC: 122577837
Em: Museum of Modern Art (New York, N.Y.)
Notas: Interview conducted by Sharon Zane for The Museum of Modern Art Oral History Project.
Descrição: 1 transcript (72 p.) 2 sound cassettes.

Resumo:

Rewald discusses his student days in Germany, his growing interest in art, and his first meeting with Alfred H. Barr, Jr. in Paris before World War II. He recounts his journey to the U.S. during the war, and his first employment at The Museum of Modern Art as a proofreader. He discusses subsequent work with Barr on the latter's seminal book, Matisse: His Art and His Public (c. 1951) as well as the publication of his own pioneering books The History of Impressionism (c. 1946) and Post-Impressionism from van.

Gogh to Gauguin (1956) that he wrote for the Museum. Rewald remembers his 1948 Pierre Bonnard exhibition at the Museum [MoMA Exh. #376, 1948 May 10-September 6], and the 1952 Fauves show [Les Fauves, MoMA Exh. #521, 1952 October 7-1953 January 4]. He highlights his relationships with Barr and William Rubin, and his own part in the acquisition and disposition of the Gertrude Stein Collection. His role as art advisor to John Hay Whitney is also recalled.

Críticas

Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.
Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/122577837>
library:oclcnum"122577837"
library:placeOfPublication
owl:sameAs<info:oclcnum/122577837>
rdf:typeschema:CreativeWork
rdf:typelibrary:ArchiveMaterial
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:creator
schema:datePublished"1991"
schema:description"Rewald discusses his student days in Germany, his growing interest in art, and his first meeting with Alfred H. Barr, Jr. in Paris before World War II. He recounts his journey to the U.S. during the war, and his first employment at The Museum of Modern Art as a proofreader. He discusses subsequent work with Barr on the latter's seminal book, Matisse: His Art and His Public (c. 1951) as well as the publication of his own pioneering books The History of Impressionism (c. 1946) and Post-Impressionism from van."
schema:description"Gogh to Gauguin (1956) that he wrote for the Museum. Rewald remembers his 1948 Pierre Bonnard exhibition at the Museum [MoMA Exh. #376, 1948 May 10-September 6], and the 1952 Fauves show [Les Fauves, MoMA Exh. #521, 1952 October 7-1953 January 4]. He highlights his relationships with Barr and William Rubin, and his own part in the acquisition and disposition of the Gertrude Stein Collection. His role as art advisor to John Hay Whitney is also recalled."
schema:exampleOfWork<http://worldcat.org/entity/work/id/101603647>
schema:genre"Transcripts."
schema:genre"History"
schema:genre"Oral histories."
schema:genre"Exhibition catalogs"
schema:genre"Interviews"
schema:inLanguage"en"
schema:name"Oral history,"
schema:url

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.