跳至内容
Oral history, 1991. 線上預覽
關閉線上預覽
正在查...

Oral history, 1991.

作者: John Rewald; National Endowment for the Humanities,
版本/格式:   檔案資料 : 英語
刊登於:Museum of Modern Art Oral History Project, 1990-1994.
資料庫:WorldCat
提要:
Rewald discusses his student days in Germany, his growing interest in art, and his first meeting with Alfred H. Barr, Jr. in Paris before World War II. He recounts his journey to the U.S. during the war, and his first employment at The Museum of Modern Art as a proofreader. He discusses subsequent work with Barr on the latter's seminal book, Matisse: His Art and His Public (c. 1951) as well as the publication of
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

類型/形式: Oral histories
Transcripts
提及的人: John Rewald; Alfred H Barr, Jr.; John Hay Whitney; Alfred Hamilton Barr; John Rewald; John Rewald; Gertrude Stein; William Stanley Rubin
文件類型: 文檔資料
所有的作者/貢獻者: John Rewald; National Endowment for the Humanities,
OCLC系統控制編碼: 122577837
在: Museum of Modern Art (New York, N.Y.)
注意: Interview conducted by Sharon Zane for The Museum of Modern Art Oral History Project.
描述: 1 transcript (72 p.) 2 sound cassettes.

摘要:

Rewald discusses his student days in Germany, his growing interest in art, and his first meeting with Alfred H. Barr, Jr. in Paris before World War II. He recounts his journey to the U.S. during the war, and his first employment at The Museum of Modern Art as a proofreader. He discusses subsequent work with Barr on the latter's seminal book, Matisse: His Art and His Public (c. 1951) as well as the publication of his own pioneering books The History of Impressionism (c. 1946) and Post-Impressionism from van.

Gogh to Gauguin (1956) that he wrote for the Museum. Rewald remembers his 1948 Pierre Bonnard exhibition at the Museum [MoMA Exh. #376, 1948 May 10-September 6], and the 1952 Fauves show [Les Fauves, MoMA Exh. #521, 1952 October 7-1953 January 4]. He highlights his relationships with Barr and William Rubin, and his own part in the acquisition and disposition of the Gertrude Stein Collection. His role as art advisor to John Hay Whitney is also recalled.

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/122577837>
library:oclcnum"122577837"
library:placeOfPublication
owl:sameAs<info:oclcnum/122577837>
rdf:typeschema:CreativeWork
rdf:typelibrary:ArchiveMaterial
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:creator
schema:datePublished"1991"
schema:description"Rewald discusses his student days in Germany, his growing interest in art, and his first meeting with Alfred H. Barr, Jr. in Paris before World War II. He recounts his journey to the U.S. during the war, and his first employment at The Museum of Modern Art as a proofreader. He discusses subsequent work with Barr on the latter's seminal book, Matisse: His Art and His Public (c. 1951) as well as the publication of his own pioneering books The History of Impressionism (c. 1946) and Post-Impressionism from van."
schema:description"Gogh to Gauguin (1956) that he wrote for the Museum. Rewald remembers his 1948 Pierre Bonnard exhibition at the Museum [MoMA Exh. #376, 1948 May 10-September 6], and the 1952 Fauves show [Les Fauves, MoMA Exh. #521, 1952 October 7-1953 January 4]. He highlights his relationships with Barr and William Rubin, and his own part in the acquisition and disposition of the Gertrude Stein Collection. His role as art advisor to John Hay Whitney is also recalled."
schema:exampleOfWork<http://worldcat.org/entity/work/id/101603647>
schema:genre"Transcripts."
schema:genre"History"
schema:genre"Oral histories."
schema:genre"Exhibition catalogs"
schema:genre"Interviews"
schema:inLanguage"en"
schema:name"Oral history,"
schema:url

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.