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Oral history with Ernest Fleischmann oral history transcript, 1999-2000

Author: Ernest Fleischmann; Alex Cline; University of California, Los Angeles. Oral History Program.
Publisher: [Los Angeles] : Oral History Program, University of California, Los Angeles, ©2001.
Edition/Format:   Book : Biography : Manuscript   Archival Material : English
Publication:Oral History collection, Dept. of Special Collections, University Library, University of California, Los Angeles.
Database:WorldCat
Summary:
The interview begins with Fleischmann's childhood in Germany, his family's emigration to South Africa and his education in both conducting and accounting. It continues with his early career in music, including his early presentation of classical music concerts, his positions as manager of the London Symphony Orchestra (LSO), as executive director of the Los Angeles Philharmonic Orchestra, and his work as a  Read more...
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Genre/Form: Oral histories
Interviews
Named Person: Ernest Fleischmann; Martin Bernheimer; Leonard Bernstein; Pierre Boulez; Colin Davis; Carlo Maria Giulini; István Kertész; Zubin Mehta; André Previn; Simon Rattle; Esa-Pekka Salonen; Georg Solti; Michael Tilson Thomas; Barry Tuckwell; Willem Wijnbergen
Material Type: Biography, Manuscript
Document Type: Book, Archival Material
All Authors / Contributors: Ernest Fleischmann; Alex Cline; University of California, Los Angeles. Oral History Program.
OCLC Number: 56936768
Notes: Transcript of a 26.75-hour interview completed under the auspices of the UCLA Oral History Program.
Description: 2 v. (xiv, 251; ix, 252-538 leaves, bound) : ports. ; 28 cm.
Responsibility: interviewed by Alex D. Cline.

Abstract:

The interview begins with Fleischmann's childhood in Germany, his family's emigration to South Africa and his education in both conducting and accounting. It continues with his early career in music, including his early presentation of classical music concerts, his positions as manager of the London Symphony Orchestra (LSO), as executive director of the Los Angeles Philharmonic Orchestra, and his work as a consultant after retiring from the Philharmonic. Major topics of discussion indluce life in South Africa during the 1940s and 50s, the rise of LSO during the 60s, music directors and board members of the LA Phil, the Hollywood bowl, programming, marketing, and funding for a symphony orchestra, music education, the cultural identity and role of the city of Los Angeles, and the future of symphonic music.

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