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The original copy : photography of sculpture, 1839 to today

Author: Roxana Marcoci; Geoffrey Batchen; Tobia Bezzola; Museum of Modern Art (New York, N.Y.); Kunsthaus Zürich.
Publisher: New York : Museum of Modern Art : Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers, ©2010.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"The exhibition and book were conceived by Roxana Marcoci ... who organized them around distinct conceptual ideas. Examining the rich historical legacy of photography, and the aesthetic shifts that have taken place in the medium over the last 170 years, she also built on extensive conversations and collaborations with living artists to explore its uses within contemporary art practice. At the same time she asked the  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Document Type: Book
All Authors / Contributors: Roxana Marcoci; Geoffrey Batchen; Tobia Bezzola; Museum of Modern Art (New York, N.Y.); Kunsthaus Zürich.
ISBN: 9780870707575 0870707574
OCLC Number: 587110550
Notes: Published in conjunction with the exhibition held at the Museum of Modern Art, New York, Aug. 1-Nov. 1, 2010 and the Kunsthaus, Zürich, Feb. 25-May 15, 2011.
Description: 256 pages : chiefly illustrations (some color) ; 32 cm
Contents: The original copy: photography of sculpture, 1839 to today / Roxana Marcoci --
An almost unlimited variety: photography and sculpture in the nineteenth century / Geoffrey Batchen --
From sculpture in photography to photography as plastic art / Tobia Bezzola --
Plates, with introductions / Roxana Marcoci : Sculpture in the age of photography ; Eugène Atget: the marvelous in the everyday ; Auguste Rodin: The sculptor and the photographic enterprise ; Constantin Brancusi: The studio as groupe mobile and the photos radieuses ; Marcel Duchamp's Box in a valise: the readymade as reproduction ; Cultural and political icons ; The studio without walls: sculpture in the expanded field ; Daguerre's soup: what is sculpture? ; The pygmalion complex: animate and inanimate figures ; The performing body as sculptural object.
Responsibility: Roxana Marcoci ; with essays by Geoffrey Batchen and Tobia Bezzola.

Abstract:

Since its birth in the first half of the 19th century, photography has offered extraordinary possibilities of isolating works of art for study and pleasure. This title examines the intersections  Read more...

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