컨텐츠로 이동
Origins of impressionism 해당 항목을 미리보기
닫기해당 항목을 미리보기
확인중입니다…

Origins of impressionism

저자: Gary Tinterow; Henri Loyrette; Grand Palais (Paris, France); Metropolitan Museum of Art (New York, N.Y.)
출판사: New York : Metropolitan Museum of Art : Distributed by H.N. Abrams, ©1994.
판/형식:   도서 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities  더 읽기…
평가:

(아무런 평가가 없습니다.) 0 리뷰와 함께 - 첫번째로 올려주세요.

주제
다음과 같습니다:

 

온라인으로 문서 찾기

이 항목에 대한 링크

도서관에서 사본 찾기

&AllPage.SpinnerRetrieving; 해당항목을 보유하고 있는 도서관을 찾는 중

상세정보

장르/형태: Exhibition catalogs
Paris (1994)
Exhibitions
추가적인 물리적 형식: Online version:
Tinterow, Gary.
Origins of impressionism.
New York : Metropolitan Museum of Art : Distributed by H.N. Abrams, ©1994
(OCoLC)621634885
명시된 사람: Claude Monet; Édouard Manet; Edgar Degas; Gustave Courbet; Frédéric Bazille; Paul Cézanne; Auguste Renoir; Camille Pissarro; Henri Fantin-Latour; James McNeill Whistler
자료 유형: 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Gary Tinterow; Henri Loyrette; Grand Palais (Paris, France); Metropolitan Museum of Art (New York, N.Y.)
ISBN: 0870997173 9780870997174 0870997181 9780870997181 0810964856 9780810964853
OCLC 번호: 30623473
메모: Conjunction with the exhibition held at the Galerie nationales du Grand Palais, April 19-August 8, 1994, and the Metropolitan Museum of Art, New York, September 27, 1994-January 8, 1995.
Loyrette's contributions translated from French.
설명: xvi, 486 pages : illustrations (some color) ; 32 cm
내용: Foreword / Philippe de Montebello and Irene Bizot --
Introduction / Gary Tinterow and Henri Loyrette --
I. The Salon of 1859 / Henri Loyrette --
II. History Painting / Henri Loyrette --
III. The Realist Landscape / Gary Tinterow --
IV. The Nude / Henri Loyrette --
V. Figures in a Landscape / Gary Tinterow --
VI. Still Life / Henri Loyrette --
VII. Portraits and Figures / Henri Loyrette --
VIII. The Impressionist Landscape / Gary Tinterow --
IX. Modern Life / Henri Loyrette --
Chronology of Works in the Catalogue --
Chronology 1859-70 --
Catalogue. Paul Baudry, cat. 1. Frederic Bazille, cats. 2-15. Francois Bonvin, cat. 16. Eugene Boudin, cats. 17, 18. William Bouguereau, cat. 19. Jules Breton, cat. 20. Carolus-Duran, cat. 21. Paul Cezanne, cats. 22-34. Camille Corot, cats. 35-37. Gustave Courbet, cats. 38-47. Charles-Francois Daubigny, cats. 48-50. Edgar Degas, cats. 51-68. Eugene Delacroix, cat. 69. Henri Fantin-Latour, cats. 70-74. Hippolyte Flandrin, cat. 75. Eugene Fromentin, cat. 76. Jean-Leon Gerome, cat. 77. Eva Gonzales, cat. 78. Ernest Hebert, cat. 79. Johann Barthold Jongkind, cats. 80, 81. Alphonse Legros, cat. 82. Edouard Manet, cats. 83-112. Jean-Francois Millet, cat. 113. Claude Monet, cats. 114-51. Gustave Moreau, cat. 152. Berthe Morisot, cat. 153. Camille Pissarro, cats. 154-65. Pierre Puvis de Chavannes, cats. 166, 167. Auguste Renoir, cats. 168-81. Gustave Ricard, cat. 182. Theodore Rousseau, cats. 183, 184. Alfred Sisley, cats. 185-88. James Tissot, cat. 189. Constant Troyon, cat. 190. James McNeill Whistler, cats. 191-93.
책임: Gary Tinterow and Henri Loyrette.

초록:

This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination. Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style. Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar.

리뷰

사용자-기여 리뷰
GoodReads 리뷰 가져오는 중…
DOGObooks 리뷰를 가지고 오는 중…

태그

첫번째 되기
요청하신 것을 확인하기

이 항목을 이미 요청하셨을 수도 있습니다. 만약 이 요청을 계속해서 진행하시려면 Ok을 선택하세요.

링크된 데이터


<http://www.worldcat.org/oclc/30623473>
bgn:translationOfWork
library:oclcnum"30623473"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
<http://viaf.org/viaf/126238294>
rdf:typeschema:Organization
schema:name"Metropolitan Museum of Art (New York, N.Y.)"
schema:contributor
schema:contributor
schema:copyrightYear"1994"
schema:creator
schema:datePublished"1994"
schema:description"Foreword / Philippe de Montebello and Irene Bizot -- Introduction / Gary Tinterow and Henri Loyrette -- I. The Salon of 1859 / Henri Loyrette -- II. History Painting / Henri Loyrette -- III. The Realist Landscape / Gary Tinterow -- IV. The Nude / Henri Loyrette -- V. Figures in a Landscape / Gary Tinterow -- VI. Still Life / Henri Loyrette -- VII. Portraits and Figures / Henri Loyrette -- VIII. The Impressionist Landscape / Gary Tinterow -- IX. Modern Life / Henri Loyrette -- Chronology of Works in the Catalogue -- Chronology 1859-70 -- Catalogue. Paul Baudry, cat. 1. Frederic Bazille, cats. 2-15. Francois Bonvin, cat. 16. Eugene Boudin, cats. 17, 18. William Bouguereau, cat. 19. Jules Breton, cat. 20. Carolus-Duran, cat. 21. Paul Cezanne, cats. 22-34. Camille Corot, cats. 35-37. Gustave Courbet, cats. 38-47. Charles-Francois Daubigny, cats. 48-50. Edgar Degas, cats. 51-68. Eugene Delacroix, cat. 69. Henri Fantin-Latour, cats. 70-74. Hippolyte Flandrin, cat. 75. Eugene Fromentin, cat. 76."@en
schema:description"Jean-Leon Gerome, cat. 77. Eva Gonzales, cat. 78. Ernest Hebert, cat. 79. Johann Barthold Jongkind, cats. 80, 81. Alphonse Legros, cat. 82. Edouard Manet, cats. 83-112. Jean-Francois Millet, cat. 113. Claude Monet, cats. 114-51. Gustave Moreau, cat. 152. Berthe Morisot, cat. 153. Camille Pissarro, cats. 154-65. Pierre Puvis de Chavannes, cats. 166, 167. Auguste Renoir, cats. 168-81. Gustave Ricard, cat. 182. Theodore Rousseau, cats. 183, 184. Alfred Sisley, cats. 185-88. James Tissot, cat. 189. Constant Troyon, cat. 190. James McNeill Whistler, cats. 191-93."@en
schema:description"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination. Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style. Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/32660228>
schema:genre"Paris (1994)"@en
schema:genre"Exhibition catalogs"@en
schema:inLanguage"en"
schema:name"Origins of impressionism"@en
schema:publication
schema:publisher
schema:publisher
schema:workExample
schema:workExample
schema:workExample
wdrs:describedby

Content-negotiable representations

윈도우 닫기

WorldCat에 로그인 하십시오 

계정이 없으세요? 아주 간단한 절차를 통하여 무료 계정을 만드실 수 있습니다.