aller au contenu
Orlando di Lasso Studies Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Orlando di Lasso Studies

Auteur : Peter Bergquist
Éditeur : New York : Cambridge University Press, 1999.
Édition/format :   Livre : Biographie : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Orlando di Lasso was the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is the first full-length survey in English of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects, and its use as a model by other composers,  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Orlando di Lasso; Orlando di Lasso; Orlando di Lasso; Orlando di Lasso
Type d’ouvrage : Biographie, Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Peter Bergquist
ISBN : 0521593875 9780521593878
Numéro OCLC : 39516031
Description : xii, 253 p. : ill. ; 24 cm.
Contenu : Aspects of form in Orlando di Lasso's Magnificat settings / James Erb --
Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner --
Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager --
The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone --
Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis --
Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid --
Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan --
Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt --
The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar --
Modal ordering within Orlando di Lasso's publications / Peter Bergquist --
Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann.
Responsabilité : edited by Peter Bergquist.
Plus d’informations :

Résumé :

Orlando di Lasso was the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is the first full-length survey in English of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects, and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns, and madrigals.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/39516031>
library:oclcnum"39516031"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/39516031>
rdf:typeschema:Book
schema:about
<http://viaf.org/viaf/23356192>
rdf:typeschema:Person
schema:birthDate"1532"
schema:deathDate"1594"
schema:familyName"Lasso"
schema:givenName"Orlando di"
schema:name"Lasso, Orlando di, 1532-1594."
schema:name"Lasso, Orlando di, 1532-1594"
schema:about
schema:about
schema:about
schema:contributor
schema:datePublished"1999"
schema:description"Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner -- Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager -- The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis -- Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid -- Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan -- Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt -- The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar -- Modal ordering within Orlando di Lasso's publications / Peter Bergquist -- Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann."@en
schema:description"Orlando di Lasso was the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is the first full-length survey in English of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects, and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns, and madrigals."@en
schema:editor
schema:exampleOfWork<http://worldcat.org/entity/work/id/896297709>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Orlando di Lasso Studies"@en
schema:numberOfPages"253"
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.