pular para conteúdo
Orlando di Lasso Studies Ver prévia deste item
FecharVer prévia deste item
Checando...

Orlando di Lasso Studies

Autor: Peter Bergquist
Editora: New York : Cambridge University Press, 1999.
Edição/Formato   Print book : Biografia : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Orlando di Lasso was the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is the first full-length survey in English of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects, and its use as a model by other composers,  Ler mais...
Classificação:

(ainda não classificado) 0 com críticas - Seja o primeiro.

Assuntos
Mais como este

 

Encontrar uma cópia na biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que possuem este item...

Detalhes

Gênero/Forma: Criticism, interpretation, etc
Pessoa Denominada: Orlando di Lasso; Orlando di Lasso; Orlando di Lasso; Orlando di Lasso
Tipo de Material: Biografia, Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Peter Bergquist
ISBN: 0521593875 9780521593878
Número OCLC: 39516031
Descrição: xii, 253 pages : illustrations ; 24 cm
Conteúdos: Aspects of form in Orlando di Lasso's Magnificat settings / James Erb --
Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner --
Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager --
The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone --
Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis --
Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid --
Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan --
Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt --
The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar --
Modal ordering within Orlando di Lasso's publications / Peter Bergquist --
Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann.
Responsabilidade: edited by Peter Bergquist.
Mais informações:

Resumo:

Orlando di Lasso was the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is the first full-length survey in English of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects, and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns, and madrigals.

Críticas

Críticas contribuídas por usuários
Recuperando críticas GoodReas...
Recuperando comentários DOGObooks

Etiquetas

Seja o primeiro.
Confirmar esta solicitação

Você já pode ter solicitado este item. Por favor, selecione Ok se gostaria de proceder com esta solicitação de qualquer forma.

Dados Ligados


<http://www.worldcat.org/oclc/39516031>
library:oclcnum"39516031"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
<http://viaf.org/viaf/23356192>
rdf:typeschema:Person
schema:birthDate"1532"
schema:deathDate"1594"
schema:familyName"Lasso"
schema:givenName"Orlando di"
schema:name"Lasso, Orlando di, 1532-1594."
schema:name"Lasso, Orlando di, 1532-1594"
schema:about
schema:about
schema:contributor
schema:datePublished"1999"
schema:description"Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner -- Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager -- The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis -- Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid -- Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan -- Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt -- The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar -- Modal ordering within Orlando di Lasso's publications / Peter Bergquist -- Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann."@en
schema:description"Orlando di Lasso was the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is the first full-length survey in English of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects, and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns, and madrigals."@en
schema:editor
schema:exampleOfWork<http://worldcat.org/entity/work/id/896297709>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"Biography"@en
schema:inLanguage"en"
schema:name"Orlando di Lasso Studies"@en
schema:publication
schema:publisher
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA040237>
wdrs:describedby

Content-negotiable representations

Close Window

Por favor, conecte-se ao WorldCat 

Não tem uma conta? Você pode facilmente criar uma conta gratuita.