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Orozco : pintor revolucionario?

Author: Renato González Mello; José Clemente Orozco
Publisher: México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 1995.
Series: Cuadernos de historia del arte (Universidad Nacional Autónoma de México. Instituto de Investigaciones Estéticas), 45.
Edition/Format:   Print book : Spanish : 1. edView all editions and formats
Summary:
"González Mello's provocative essay questions the original date of the famous Orozco painting 'Despojo Humano' ('Driftwood') in the collection of the Museo Carrillo Gil in Mexico City. The painting is usually considered to have been completed in 1915. If, however, the painting was done around 1926-28, as the author suggests, this would change the traditional interpretation of Orozco's work in relation to the  Read more...
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
González Mello, Renato.
Orozco.
México : Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 1995
(OCoLC)663371605
Named Person: José Clemente Orozco; José Clemente Orozco
Document Type: Book
All Authors / Contributors: Renato González Mello; José Clemente Orozco
ISBN: 9683638260 9789683638267
OCLC Number: 32856569
Description: 97 pages : illustrations (some color) ; 23 cm.
Series Title: Cuadernos de historia del arte (Universidad Nacional Autónoma de México. Instituto de Investigaciones Estéticas), 45.
Responsibility: Renato González Mello.

Abstract:

"González Mello's provocative essay questions the original date of the famous Orozco painting 'Despojo Humano' ('Driftwood') in the collection of the Museo Carrillo Gil in Mexico City. The painting is usually considered to have been completed in 1915. If, however, the painting was done around 1926-28, as the author suggests, this would change the traditional interpretation of Orozco's work in relation to the sociopolitical context. Essay emphasizes Orozco's antagonism toward revolutionary ideals and his frustration with the power of political agendas to shape the direction of the arts in Mexico"--Handbook of Latin American Studies, v. 58.

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