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The other shore : plays

Auteur : Xingjian Gao; Gilbert Chee Fun Fong
Éditeur : Sha Tin, N.T., Hong Kong : Chinese University of Hong Kong, 1999
Édition/format :   Livre : Biographie : Publication gouvernementale provinciale ou d'état : Anglais : 1st edVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986),  Lire la suite...
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Détails

Genre/forme : Translations
Translations into English
Personne nommée : Xingjian Gao; Xingjian Gao
Type d’ouvrage : Biographie, Publication gouvernementale, Publication gouvernementale provinciale ou d'état
Format : Livre
Tous les auteurs / collaborateurs : Xingjian Gao; Gilbert Chee Fun Fong
ISBN : 9622018629 9789622018624 9622019749 9789622019744
Numéro OCLC : 45461107
Description : xlii, 269 p. : ill. ; 23 cm.
Contenu : Other shore --
Between life and death --
Dialogue and rebuttal --
Nocturnal wanderer --
Weekend quartet.
Autres titres : Plays.
Responsabilité : by Gao Xingjian ; translated by Gilbert C. F. Fong.

Résumé :

When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). With original imagery and in beautiful language, these plays illuminate the realities of life, death, sex, loneliness, and exile. The plays also show the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance. An introduction by the translator describes the dramatist and his view on drama.

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Données liées


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