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The other shore : plays

著者: Xingjian Gao; Gilbert Chee Fun Fong
出版: Sha Tin, N.T., Hong Kong : Chinese University of Hong Kong, 1999
エディション/フォーマット:   書籍 : Biography : State or province government publication : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986),  続きを読む
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ジャンル/形式: Translations
Translations into English
関連の人物: Xingjian Gao; Xingjian Gao
資料の種類: Biography, Government publication, State or province government publication
ドキュメントの種類: 図書
すべての著者/寄与者: Xingjian Gao; Gilbert Chee Fun Fong
ISBN: 9622018629 9789622018624 9622019749 9789622019744
OCLC No.: 45461107
物理形態: xlii, 269 pages : illustrations ; 23 cm
コンテンツ: Other shore --
Between life and death --
Dialogue and rebuttal --
Nocturnal wanderer --
Weekend quartet.
その他のタイトル: Plays.
責任者: by Gao Xingjian ; translated by Gilbert C.F. Fong.
その他の情報:

概要:

When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). With original imagery and in beautiful language, these plays illuminate the realities of life, death, sex, loneliness, and exile. The plays also show the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance. An introduction by the translator describes the dramatist and his view on drama.

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