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The other shore : plays

Auteur: Xingjian Gao; Gilbert Chee Fun Fong
Uitgever: Sha Tin, N.T., Hong Kong : Chinese University of Hong Kong, 1999
Editie/Formaat:   Boek : Biografie : Deelstaats- of provinciale overheidsuitgave : Engels : 1st edAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986),  Meer lezen...
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Details

Genre/Vorm: Translations
Translations into English
Genoemd persoon: Xingjian Gao; Xingjian Gao
Genre: Biografie, Overheidsuitgave, Deelstaats- of provinciale overheidsuitgave
Soort document: Boek
Alle auteurs / medewerkers: Xingjian Gao; Gilbert Chee Fun Fong
ISBN: 9622018629 9789622018624 9622019749 9789622019744
OCLC-nummer: 45461107
Beschrijving: xlii, 269 p. : ill. ; 23 cm.
Inhoud: Other shore --
Between life and death --
Dialogue and rebuttal --
Nocturnal wanderer --
Weekend quartet.
Andere titels: Plays.
Verantwoordelijkheid: by Gao Xingjian ; translated by Gilbert C. F. Fong.

Fragment:

When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). With original imagery and in beautiful language, these plays illuminate the realities of life, death, sex, loneliness, and exile. The plays also show the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance. An introduction by the translator describes the dramatist and his view on drama.

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