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The other shore : plays

Autor: Xingjian Gao; Gilbert Chee Fun Fong
Editora: Sha Tin, N.T., Hong Kong : Chinese University of Hong Kong, 1999
Edição/Formato   Print book : Biografia : Publicação de governo estadual ou província : Inglês : 1st edVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986),  Ler mais...
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Detalhes

Gênero/Forma: Translations
Translations into English
Pessoa Denominada: Xingjian Gao; Xingjian Gao
Tipo de Material: Biografia, Publicação do governo, Publicação de governo estadual ou província
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Xingjian Gao; Gilbert Chee Fun Fong
ISBN: 9622018629 9789622018624 9622019749 9789622019744
Número OCLC: 45461107
Descrição: xlii, 269 pages : illustrations ; 23 cm
Conteúdos: Other shore --
Between life and death --
Dialogue and rebuttal --
Nocturnal wanderer --
Weekend quartet.
Outros Títulos: Plays.
Responsabilidade: by Gao Xingjian ; translated by Gilbert C.F. Fong.
Mais informações:

Resumo:

When Gao Xingjian won the Nobel Prize for Literature in 2000, he became the only Chinese writer to achieve such international acclaim. The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). With original imagery and in beautiful language, these plays illuminate the realities of life, death, sex, loneliness, and exile. The plays also show the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance. An introduction by the translator describes the dramatist and his view on drama.

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