• 引文/輸出
  引文/輸出

  複製引文

  APA（第6版）

  

  芝加哥（作者-日期，第15版）

  

  Harvard（第18版）

  

  MLA（第7版）

  

  Turabian（第6版）

  

  輸出引文

  匯出到RefWorks   匯至EndNote / Reference Manager   匯至EasyBib   取消

  請注意： 引文均以參考咨詢的標準為凖。但是，格式的規則在應用程式或研究的領域之間會大相徑庭。應考慮審的出版商、上課教師、學術機構或組織等的具體要求。
• 列印
• 電子郵件
  電子郵件

  所有的欄位都要。

  必須要有電子郵件地址欄位。請輸入收件人的電子郵件地址。

  輸入的電子郵件地址格式不對。請重新輸入收件人的電子郵件地址。

  最多可將資料送至五位收件人。

  輸入收件者的電子郵件地址： 最多能用逗號（,）將五個位址分開

  必須要有名字的欄位。請輸入你的名字。

  輸入你的名字： 必須要有主題欄位。請輸入主題。 主題:

  必須要有電子郵件訊息的欄位。請輸入訊息。

  電子郵件訊息： 我想你可能會對此資料感興趣，資料位於 http://www.worldcat.org/oclc/781278951 題名： Our aesthetic categories : zany, cute, interesting 作者： Sianne Ngai 出版商： Cambridge, Mass. : Harvard University Press, 2012. ISBN/ISSN: 9780674046580 0674046587 OCLC:781278951

  
  

  你輸入的ReCaptcha字詞不對。請設法與顯示在視窗中的那兩個字相符，或者試用音訊版本。

  取消
• 分享
• 永久連結
  永久連結

  複製URL以便和網頁連結：

• 撰寫評論
• 對此資料進行評分：
• • 1
  • 2
  • 3
  • 4
  • 5

更多類似這樣的

主題

• Aesthetics, Modern -- 20th century.
• Aesthetics, Modern -- 21st century.
• Postmodernism.
• 檢視所有主題

讀者我的最愛清單

類似資料

Our aesthetic categories : zany, cute, interesting

作者：	Sianne Ngai
出版商：	Cambridge, Mass. : Harvard University Press, 2012.
版本/格式：	圖書 : 英語檢視所有的版本和格式
提要：	"The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime. Ngai explores how each of these aesthetic categories expresses conflicting feelings that connect to the ways in which postmodern subjects work, exchange, and consume. As a style of performing that takes the form of affective labor, the zany is bound up with production and engages our playfulness and our sense of desperation. The interesting is tied to the circulation of discourse and inspires interest but also boredom. The cute's involvement with consumption brings out feelings of tenderness and aggression simultaneously. At the deepest level, Ngai argues, these equivocal categories are about our complex relationship to performing, information, and commodities. Through readings of Adorno, Schlegel, and Nietzsche alongside cultural artifacts ranging from Bob Perelman's poetry to Ed Ruscha's photography books to the situation comedy of Lucille Ball, Ngai shows how these everyday aesthetic categories also provide traction to classic problems in aesthetic theory. The zany, cute, and interesting are not postmodernity's only meaningful aesthetic categories, Ngai argues, but the ones best suited for grasping the radical transformation of aesthetic experience and discourse under its conditions."--book jacket.  再讀一些...
評定級別：	(尚未評分) 0 附有評論 - 成爲第一個。