zum Inhalt wechseln
Out of the inkwell : Max Fleischer and the animation revolution Titelvorschau
SchließenTitelvorschau
Prüfung…

Out of the inkwell : Max Fleischer and the animation revolution

Verfasser/in: Richard Fleischer
Verlag: Lexington : University Press of Kentucky, 2005.
Ausgabe/Format   Buch : Biografie : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. While deeply engaged with his characters, Fleischer also sought ways to improve his art  Weiterlesen…
Bewertung:

(noch nicht bewertet) 0 mit Rezensionen - Verfassen Sie als Erste eine Rezension.

Themen
Ähnliche Titel

 

Exemplar ausleihen

&AllPage.SpinnerRetrieving; Suche nach Bibliotheken, die diesen Titel besitzen ...

Details

Gattung/Form: Biography
Physisches Format Online version:
Fleischer, Richard.
Out of the inkwell.
Lexington : University Press of Kentucky, 2005
(OCoLC)607700070
Name: Max Fleischer; Max Fleischer, Filmproduzent.; Max Fleischer
Medientyp: Biografie, Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Richard Fleischer
ISBN: 0813123550 9780813123554
OCLC-Nummer: 58526607
Anmerkungen: Includes index.
Beschreibung: xii, 184 p., [16] p. of plates : ill. ; 23 cm.
Inhalt: They say that it's difficult being a famous man's son ... --
Two years after joining the Brooklyn daily eagle ... --
If ever a job was tailor-made for anyone ... --
Brimming with pride and high hopes, Max ... --
Late in 1920, the Bray organization ... --
There were three movie "palaces" in midtown ... --
Taking a page from his former employer ... --
The addition of sound to the Fleischer cartoons ... --
Clearly, Max was riding the crest of a wave ... --
The fortunes of the Fleischer family ... --
Several times during the writing of these pages ... --
Although this book is primarily about Max ... --
Fleischer studios prospered ... --
Because of Max and Dave's personalities ... --
Max was a dyed-in-the-wool New Yorker ... --
Work at the New York studio continued ... --
Paramount insisted on a Christmas release date ... --
The studio's move from New York to Miami ... --
Max opened the contract, read the first paragraph ... --
After the initial shock of the Paramount takeover ... --
Almost before the news of the studio's sudden ... --
It seems that Max's aim in life was to be ... --
Leonard Miltonberg ran a company in ... --
He wrote myriad and lengthy memos ... --
The lawsuit against Paramount et al. ... --
The whole thing was incomprehensible to me ... --
The article concerned a new copyright law ... --
The year 1972 turned out to be ...
Andere Titel Max Fleischer and the animation revolution
Verfasserangabe: Richard Fleischer ; with a foreword by Leonard Maltin.
Weitere Informationen:

Abstract:

Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. This is a portrait of the life and world of a man who shaped the look of cartoon  Weiterlesen…

Rezensionen

Redaktionelle Rezension

Nielsen BookData

""Richard Fleischer, a film director who never became a household name despite working with some of Hollywood's biggest stars... [his son] Max Fleischer, and Max's siblings were pioneers in the early Weiterlesen…

 
Nutzer-Rezensionen
Suche nach GoodReads-Rezensionen
Suche nach DOGObooks-Rezensionen…

Tags

Tragen Sie als Erste Tags ein.

Ähnliche Titel

Anfrage bestätigen

Sie haben diesen Titel bereits angefordert. Wenn Sie trotzdem fortfahren möchten, klicken Sie auf OK.

Verlinkung


<http://www.worldcat.org/oclc/58526607>
library:oclcnum"58526607"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/58526607>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2005"
schema:description"They say that it's difficult being a famous man's son ... -- Two years after joining the Brooklyn daily eagle ... -- If ever a job was tailor-made for anyone ... -- Brimming with pride and high hopes, Max ... -- Late in 1920, the Bray organization ... -- There were three movie "palaces" in midtown ... -- Taking a page from his former employer ... -- The addition of sound to the Fleischer cartoons ... -- Clearly, Max was riding the crest of a wave ... -- The fortunes of the Fleischer family ... -- Several times during the writing of these pages ... -- Although this book is primarily about Max ... -- Fleischer studios prospered ... -- Because of Max and Dave's personalities ... -- Max was a dyed-in-the-wool New Yorker ... -- Work at the New York studio continued ... -- Paramount insisted on a Christmas release date ... -- The studio's move from New York to Miami ... -- Max opened the contract, read the first paragraph ... -- After the initial shock of the Paramount takeover ... -- Almost before the news of the studio's sudden ... -- It seems that Max's aim in life was to be ... -- Leonard Miltonberg ran a company in ... -- He wrote myriad and lengthy memos ... -- The lawsuit against Paramount et al. ... -- The whole thing was incomprehensible to me ... -- The article concerned a new copyright law ... -- The year 1972 turned out to be ..."@en
schema:description"Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. In the 1920s and 1930s, Fleischer created many patented inventions and introduced new special effects such as startling combinations of live action and animation, as well as a musical series involving jazz artists such as Cab Calloway and Louis Armstrong. In spite of its great popularity and success, however, the studio was abruptly closed in 1942. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios.--From publisher description."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/797219176>
schema:genre"Biography."@en
schema:genre"Biography"@en
schema:inLanguage"en"
schema:name"Max Fleischer and the animation revolution"@en
schema:name"Out of the inkwell : Max Fleischer and the animation revolution"@en
schema:numberOfPages"184"
schema:publisher
schema:url
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA536349>

Content-negotiable representations

Fenster schließen

Bitte in WorldCat einloggen 

Sie haben kein Konto? Sie können sehr einfach ein kostenloses Konto anlegen,.