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Painted love : prostitution in French art of the impressionist era

Autor: Hollis Clayson
Editora: Los Angeles : Getty Research Institute, ©2003.
Séries: Texts & documents.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Prostitution was widespread in nineteenth century Paris, and as French streets filled with these women of the night, French art and literature of the period took notice. In this book, Hollis Clayson explains why providing the first description and analysis of French artistic interest in women prostitutes and examining how the subject was treated in the art of the 1870s and 1880 by such avant-garde painters as  Ler mais...
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Detalhes

Formato Físico Adicional: Online version:
Clayson, Hollis, 1946-
Painted love.
Los Angeles, California : Getty Research Institute, [2003]
(OCoLC)871254031
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Hollis Clayson
ISBN: 0892367296 9780892367290
Número OCLC: 52921072
Descrição: xix, 202 pages : illustrations (some color) ; 28 cm.
Conteúdos: Painting the traffic in women --
In the brothel --
Testing the limits. The menace of fashion ; The invasion of the boulevard --
Suspicious professions. Working women for sale? ; Mutual desire in the new nightspots.
Título da Série: Texts & documents.
Responsabilidade: Hollis Clayson.
Mais informações:

Resumo:

"Prostitution was widespread in nineteenth century Paris, and as French streets filled with these women of the night, French art and literature of the period took notice. In this book, Hollis Clayson explains why providing the first description and analysis of French artistic interest in women prostitutes and examining how the subject was treated in the art of the 1870s and 1880 by such avant-garde painters as Cezanne, Degas, Manet, and Renoir, as well as by academic and lowbrow painters who were their contemporaries." "Clayson illuminates not only the imagery of prostitution - with its contradictory connotations of disgust and fascination - but also issues and problems relating to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and mores. She describes the system that evolved of regulating prostitutes and the subsequent rise of clandestine prostitutes, who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it embodied key notions of modernity, exemplifying the commercialization and ambiguity of modern life."--Jacket.

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