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Painting and the Journal of Eugène Delacroix

作者: Michele Hannoosh; Eugène Delacroix
出版商: Princeton, N.J. : Princeton University Press, 1995.
叢書: Princeton series in nineteenth-century art, culture, and society.
版本/格式:   Print book : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
The Journal of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once public and private, it is also one of the richest and most fascinating aesthetic documents of the nineteenth century, as Delacroix reflects throughout on the relations between the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of  再讀一些...
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提及的人: Eugène Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène (1798-1863) Delacroix; Eugène Delacroix; Eugène Delacroix
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Michele Hannoosh; Eugène Delacroix
ISBN: 0691043949 9780691043944
OCLC系統控制編碼: 31647294
描述: xix, 221 pages, [32] pages of plates : illustrations ; 25 cm.
叢書名: Princeton series in nineteenth-century art, culture, and society.
責任: Michele Hannoosh.
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摘要:

The Journal of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once public and private, it is also one of the richest and most fascinating aesthetic documents of the nineteenth century, as Delacroix reflects throughout on the relations between the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of a painter who wrote extensively and theorized his own writing in the Journal, a painter who had a passion for literature and a powerful literary imagination, a narrative painter whose work is rooted in literature and the literary. This book is the first to explore the crucial importance of this relation for Delacroix's aesthetic theory and artistic practice. Countering the long critical tradition which sees his writing as the inverse of his painting, it argues that, through his diary and art criticism, he sought to develop a painter's writing, proper to painting itself, and that such a writing is closely related to his conception of pictorial art.

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