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Painting and the Journal of Eugène Delacroix

Author: Michele Hannoosh; Eugène Delacroix
Publisher: Princeton, N.J. : Princeton University Press, 1995.
Series: Princeton series in nineteenth-century art, culture, and society.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
The Journal of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once public and private, it is also one of the richest and most fascinating aesthetic documents of the nineteenth century, as Delacroix reflects throughout on the relations between the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of  Read more...
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Named Person: Eugène Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène (1798-1863) Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène Delacroix; Eugène Delacroix
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Michele Hannoosh; Eugène Delacroix
ISBN: 0691043949 9780691043944
OCLC Number: 31647294
Description: xix, 221 pages, [32] pages of plates : illustrations ; 25 cm.
Contents: Ch. 1. On the Boundaries of the Arts and the True Power of Painting --
Ch. 2. The Image in Time: The Writing of the Journal --
Ch. 3. A Language for Painting: The Dictionnaire des Beaux-Arts --
Ch. 4. A Painter in the House of Letters --
Ch. 5. The Ambiguities of History: The Apollo Gallery --
Ch. 6. The Treasure of the Temple: Saint-Sulpice.
Series Title: Princeton series in nineteenth-century art, culture, and society.
Responsibility: Michele Hannoosh.
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Abstract:

Delacroix's "Journal" reflects on the relations between the arts, particularly painting and writing. This book explores the crucial importance of this relation for Delacroix's aesthetic theory and  Read more...

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Prior to this superb new study by Michele Hannoosh, a professor of French literature, the intricacy and proximity of the relationship between Delacroix's writing and painting had not been traced.... Read more...

 
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